Celebrate Collaborative Poetry With Michael Hill and Morning Edition
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This episode of All of It features a conversation with Casey Tromer, a Queens-based poet and founder of Queensbound, a project that connects poets across the borough through audio recordings of neighborhood-specific poems. The discussion centers on the upcoming event 'Poetry Together: A Night of Collaboration and Community,' hosted by Michael Hill and the Morning Edition team, which celebrates collaborative poetry as a joyful, low-stakes way to connect people and spark creativity. Tromer shares how Queensbound began as a response to her failed bid for Queens Poet Laureate, evolving into an organic, community-driven project that maps poems to subway stations and fosters relationships among poets. She emphasizes the power of shared writing, vulnerability, and the sonic richness of diverse voices, especially in public spaces like the subway. The episode also highlights the importance of specificity in poetry—writing about real corners of neighborhoods rather than broad stereotypes—and showcases several poems from the project, including her own 'Comings and Goings,' which aired on Morning Edition as part of their 'Good Neighbors' theme. Key takeaways include: collaborative poetry fosters connection and discovery by lowering creative stakes; specificity in place and voice deepens emotional resonance; public spaces like subways are ideal venues for poetry that responds to the environment; vulnerability is essential to authentic creative expression; and community-driven projects can organically grow through word-of-mouth and shared purpose. The episode ends with a strong call to action to attend the free event at the Green Space on April 29th, emphasizing inclusivity and the joy of collective creation.
Collaborative poetry is an ethos of shared creation, not just a finished product, fostering connection and discovery.
Specificity—writing about real neighborhoods and personal experiences—leads to more powerful and authentic poetry.
Public spaces like the subway are ideal for poetry that responds to the immediate environment and community.
Vulnerability and lowering creative stakes are essential for meaningful collaboration and self-expression.
Community-driven projects grow organically through trust, invitation, and shared purpose.
…and 3 more takeaways available in PodZeus
Introducing Poetry Together: A Night of Collaboration
“Poetry Together is a night of collaboration and community. It's free, open to the public, and it's happening at the Green Space on Wednesday, April 29th, 7 p.m.”
Defining Collaborative Poetry and Its Creative Power
“When you write with other people in this way, you will find something that you wouldn't find in your own work. Naturally, you kind of gravitate towards the same things over and over again. But when you're writing in a way with others, you're going to be introduced to new things. It's just cross-pollination.”
Queensbound: Building a Poetic Community Across the Borough
“I thought, well, I'm just going to do this anyway. And so I approached 16 poets I knew to share poems about their neighborhoods and they almost all had them.”
The Power of Audio and Public Space in Poetry
Tromer discusses why Queensbound is an audio project—celebrating diverse voices and rejecting the 'terrible poet voice'—and shares her experience hosting poetry readings on the 7 train, where poets read in sequence and listeners quietly engaged.
Poetry as a Response to Place and Community
Tromer reflects on how poems like 'Comings and Goings' and 'Diversity Plaza' emerge from lived experience and specific locations. She emphasizes that poetry doesn’t need to be grand—it can be quiet, intimate, and deeply rooted in daily life.
“When you write with other people in this way, you will find something that you wouldn't find in your own work. Naturally, you kind of gravitate towards the same things over and over again. But when you're writing in a way with others, you're going to be introduced to new things. It's just cross-pollination.”
“The reason it's an audio project was because I well, personally, I like being read to. But also... that particular cadence that people go to when they feel insecure and they want to signal that they're writing a poem is actually kind of a death of a poem, in my opinion.”
“I watched him fold down a corner of the paper and then fold the paper all together and then fold the paper in his lap and look, he was looking and listening and smiling.”
Host
Guest
Casey Tromer
person
Queensbound
other
Morning Edition
media
Michael Hill
person
WNYC
organization
7 train
other
Green Space
place
Jackson Heights
place
Sahar Romani
person
Naneika Bruhemond
person
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