Chase Infiniti on Playing Agnes in "The Testaments"
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In this episode of All of It, host Alison Stewart interviews actor Chase Infinity and showrunner Bruce Miller about the highly anticipated Hulu series adaptation of Margaret Atwood's novel The Testaments, a sequel to The Handmaid's Tale. The conversation explores the challenges and creative choices behind bringing Agnes—a privileged, poised teenage girl raised in Gilead’s oppressive regime—into the spotlight. Chase shares her journey from auditioning under secrecy to embodying Agnes, emphasizing the emotional honesty and physicality required, especially through the show’s meticulously designed costumes that symbolize both beauty and constraint. Bruce Miller discusses the narrative power of shifting perspectives across three female protagonists, the importance of casting chemistry, and the enduring relevance of Atwood’s work in today’s political climate. The episode also touches on themes of youth, rebellion, and identity, particularly how teenage girls navigate love, friendship, and rage within a totalitarian system. Key takeaways include the importance of costume design as a tool for character embodiment, the necessity of emotional authenticity in high-stakes drama, the power of youth as an unstoppable force against oppression, and the value of self-care and routine in demanding creative roles. Chase also reveals her dream of performing on Broadway, highlighting her deep connection to musical theater. The episode closes with a reflective note on the burdens and responsibilities of being a leading voice on set, and the quiet rituals—like weekly hair twisting—that sustain her through the grind.
Costumes in The Testaments are not just aesthetic—they physically and psychologically shape how characters move and exist in Gilead.
Teenage girls in Gilead retain universal emotions like love, friendship, and rage, making them a powerful force against totalitarian control.
The show’s structure, with multiple female perspectives, expands the world of Gilead beyond a single viewpoint, enriching the narrative depth.
Acting in a long-form series requires stamina, adaptability, and emotional resilience, especially when leading the cast.
Self-care rituals, like weekly hair routines, can serve as intentional moments of reset and mental recharge during intense production schedules.
…and 3 more takeaways available in PodZeus
Introducing The Testaments: A New Chapter in Gilead
Alison Stewart introduces the episode, previewing the new Hulu series adaptation of Margaret Atwood's The Testaments, a sequel to The Handmaid's Tale. She sets the stage by highlighting the significance of the release and introducing the central characters and themes.
Chase Infinity on Landing the Role of Agnes
“I was hooked immediately. And then luckily enough, Bruce and the team liked me enough to have me come in for a callback.”
The Power of Costume: Fashion as Control in Gilead
“It's made to fit me, but it's still very restrictive. And I think that at baseline really helped me kind of figure out how I wanted to move in the world.”
Agnes: The Princess of Gilead
“She is like the princess of Gilead. She has her whole life kind of figured out for her and she's comfortable with where she is in the world.”
The Challenge of Sustaining a Lead Role in TV
Chase reflects on the differences between film and television acting, emphasizing the stamina, pace, and emotional endurance required for a long-form series. She credits her success to the support of the cast and crew and her own commitment to advocacy.
“That's the moment that you're like, oh, what is going on underneath the surface? Are you OK? And like granted, they aren't.”
“The best thing about Handmaid's Tale is I read it when I was in college and I reread it over the years. And every time I read it, it seemed like it was written for that moment.”
“It's made to fit me, but it's still very restrictive. And I think that at baseline really helped me kind of figure out how I wanted to move in the world.”
Host
Guests
Gilead
place
The Testaments
media
Bruce Miller
person
The Handmaid's Tale
media
Chase Infinity
person
Margaret Atwood
person
Alison Stewart
person
Hulu
brand
Presumed Innocent
media
Sue Ann
person
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