Debut AAPI Stories: Davin Malasarn's 'The Outer Country'
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In this episode of All of It, host Alison Stewart interviews debut novelist Davin Malasarn about his deeply personal novel, *The Outer Country*, which draws from his own life experiences. The story follows two estranged sisters, Manda and Sirupan, separated by geography and circumstance—Manda remaining in Thailand while Sirupan emigrates to the U.S.—and explores the lasting impact of a traumatic Buddhist exorcism performed on Manda’s nephew Ben, who displays gender-nonconforming behavior as a child. Malasarn, a former scientist turned writer and co-founder of the Granum Foundation, shares how writing the novel became a process of reconciliation with his family’s past and a way to understand the well-intentioned but harmful decisions made by loved ones. He reflects on his journey from a reluctant writer to a storyteller, emphasizing authenticity, emotional honesty, and the power of multiple perspectives in crafting a nuanced family saga. Malasarn discusses the novel’s polyphonic structure, its exploration of cultural dislocation, intergenerational trauma, and the psychological manifestation of repression. He underscores the importance of empathy and listening in a polarized world, positioning the book as a meditation on forgiveness and understanding. The episode closes with Malasarn’s advice to aspiring writers: release your work into the world before it’s perfect, and trust that growth comes through iteration. The conversation is both intimate and universal, blending memoir, fiction, and cultural commentary to create a resonant narrative about identity, family, and healing.
Trauma can manifest physically even when no physical harm occurs—psychological distress has real bodily consequences.
Understanding others’ full stories fosters empathy, especially in fractured families and polarized societies.
Authentic writing comes from emotional honesty, not perfection—write freely, then revise with intention.
Family decisions are often driven by love and fear, not malice, and recognizing this is key to forgiveness.
The act of writing can be a form of personal and familial reckoning, especially when rooted in lived experience.
Introducing 'The Outer Country' and Its Real-Life Roots
“This event leads to years of confusion and Ben, as he tries to confront his past and family issues.”
Malasarn’s Journey from Scientist to Writer
Malasarn reflects on his early life, growing up in a family of healthcare professionals, and his initial disinterest in writing. A pivotal high school English assignment—writing about his hometown—awakened his passion for authentic self-expression and set him on a path toward creative writing.
The Emotional Core: Manda’s Fear and the Exorcism Decision
“She's worried that he might have to go through the same thing her student went through.”
The Polyphonic Structure and Family Dynamics
Malasarn discusses the novel’s multi-perspective narrative, shifting between Manda, Sirupan, Ben, and Cameron. He reveals how the story evolved from a single viewpoint to a layered exploration of each character’s fears, hopes, and blind spots, emphasizing the complexity of family relationships across borders.
Trauma, the Body, and the Power of Story
“Something about the mystery of the ceremony and the anxiety that comes up afterwards... they have to manifest in the body.”
“The sickness is a real thing. It's not like he's forcing himself to do it. Something about the mystery of the ceremony... they have to manifest in the body.”
“This book is sort of a lesson in forgiving. I wrote it with each of the family member perspectives to try to understand them better and to sympathize with them better.”
“I didn't understand very much at all. I had, you know, the experience of the ceremony being performed on me, but I don't think I even knew what it meant.”
Host
Guest
Davin Malasarn
person
The Outer Country
book
Ben
person
Manda
person
Sirupan
person
Alison Stewart
person
Thailand
place
United States
place
Cameron
person
Buddhist exorcism
other
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