Letting the Genies of 'Aladdin' Out of the Bottle
Get the full intelligence
Search transcripts, export clips, track mentions, and explore all topics from “Letting the Genies of 'Aladdin' Out of the Bottle” inside PodZeus.
In this heartfelt episode of All of It, host Alison Stewart interviews Michael James Scott, the longest-running Genie in Broadway's Aladdin, as he prepares to take his final bow on May 3rd. Scott, who began as a standby in Toronto in 2013 and has since toured globally, reflects on his 4,000+ performances with pride, gratitude, and a deep personal transformation—particularly the lesson of not apologizing for who you are. He shares insights into the physical and emotional demands of the role, emphasizing energy management, prayer, and fried chicken as key to sustaining his performance. Caleb Barnett, Scott’s announced successor, joins the conversation, sharing his excitement and the lessons learned as a standby covering multiple roles. Barnett speaks about the importance of being ready at all times, the joy of performing for audiences of all ages, and his deep respect for the legacy of the role. The episode captures a poignant passing of the torch, underscored by themes of legacy, joy, and resilience in the theater world. Both guests emphasize the universal magic of Aladdin—the ability to unite audiences across generations through wonder, laughter, and light. The episode also highlights the enduring power of live theater to inspire and uplift, as evidenced by a listener’s story of celebrating their 68th birthday with a trip to the show. The conversation reveals how the Genie’s role transcends entertainment, becoming a life lesson in authenticity and presence. Scott’s advice to 'try not apologizing for who you are' resonates as a central takeaway, while Barnett’s commitment to honoring the legacy of past Genies underscores the continuity and responsibility that comes with such a celebrated role. The episode closes on a warm, celebratory note, celebrating not just a performance, but a shared human experience of joy and connection.
The Genie role is a life-long journey of self-acceptance—learn to not apologize for who you are.
Being a standby teaches discipline: stay ready so you don’t have to get ready.
Joy and wonder are ageless—Aladdin brings together audiences from 5 to 68 with equal magic.
Legacy is not just about performance, but about honoring those who came before and creating memories for those who come after.
Sustaining energy in a high-octane role requires personal strategy, boundaries, and small rituals like prayer and fried chicken.
…and 3 more takeaways available in PodZeus
The Final Bow of Broadway's Longest-Running Genie
“I never dreamed that it would be this long and that I would be able to say that I the longest running genie in Disney's Aladdin on Broadway and around the world.”
The Passing of the Torch: Caleb Barnett Steps In
“It has been my phone blowing up. Yesterday was a lot of love. Yesterday was a lot of an outpouring of love, especially from people that I didn't know were even still paying attention to me.”
Behind the Scenes: Standby, Understudy, and Alternate Roles
The guests clarify the distinctions between standby, understudy, and alternate roles in Broadway productions, emphasizing the high level of readiness and professionalism required.
The Physical and Emotional Demands of Playing the Genie
“A lot of prayer and fried chicken. That is how I do it, okay? That's how I was like, Caleb, you got the fried chicken and you're good.”
Legacy, Joy, and the Universal Magic of Aladdin
“If people could live in that space for just a little bit, I think our world would change in a very beautiful way.”
“The genie journey has been like this incredible sort of like life lesson and like almost like therapy, just sort of like being able to the idea of not apologizing who you are.”
“Try that. Just try it. It's much harder to have been done but try it in the smallest ways and see how it changes your walk, the way you interact with people, the way you talk, all those things.”
“A lot of prayer and fried chicken. That is how I do it, okay? That's how I was like, Caleb, you got the fried chicken and you're good.”
Host
Guests
Aladdin
media
Genie
other
Michael James Scott
person
Caleb Barnett
person
Broadway
place
Simon
person
Oklahoma
other
New Amsterdam Theater
other
The Slowdown
media
Fosse
other
Actor Luke Tennie on Starring on "Shrinking," "The Pitt" and "Abbott Elementary"
All Of It • 28m • 3/31/2026
New Pro Bowling Docuseries Strikes at the Heart of the Sport
All Of It • 22m • 3/31/2026
Full Bio: Judy Blume's Own Young Adulthood
All Of It • 25m • 3/31/2026
Meet NYC's New Commissioner of Cultural Affairs
All Of It • 23m • 3/31/2026
Examining the Importance of Poetry with Ada Limon
All Of It • 27m • 4/1/2026
Get the full intelligence
Search transcripts, export clips, track mentions, and explore all topics from “Letting the Genies of 'Aladdin' Out of the Bottle” inside PodZeus.
Start discovering podcast insights today
Start with a 7-day trial and explore a growing catalog of popular podcasts. No credit card required.
No credit card required • 7-day trial • Cancel anytime
