MoMA's Wifredo Lam Exhibit Closing Soon
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This episode of All Of It on WNYC features a deep dive into the MoMA exhibit 'Wifredo Lam: When I Don't Sleep, I Dream,' which closes on April 11th. Host Alison Stewart interviews co-curators Christophe Chiriques and Beverly Adams, exploring Lam’s groundbreaking career as a transnational artist of Cuban, Chinese, and African descent. The exhibit traces his journey from Madrid and Paris—where he worked alongside Picasso and Miro—to his return to Cuba, highlighting his unique fusion of Afro-Caribbean spirituality, surrealism, and abstraction. A central theme is Lam’s use of humble materials like brown wrapping paper, especially in his monumental work 'The Jungle,' which he painted during wartime scarcity and later revisited throughout his career. The curators discuss how Lam’s work was historically marginalized by MoMA’s evolving modernist narrative, only to be recentered in this landmark exhibition. They also reflect on Lam’s post-war transformation, influenced by witnessing the devastation of Europe and the commodification of African art, leading to darker, more theatrical later works. The episode underscores Lam’s enduring legacy as an artist who used his practice to reclaim cultural identity and spiritual depth.
Wifredo Lam’s art uniquely blends Afro-Caribbean spirituality, surrealism, and abstraction, rooted in his Cuban, Chinese, and African heritage.
Lam’s use of brown wrapping paper as a canvas was born of wartime scarcity but became a deliberate artistic choice symbolizing freedom and accessibility.
MoMA acquired Lam’s work as early as 1939, but his transnational identity and complex style made him difficult to fit into the museum’s narrow modernist narrative.
The exhibition 'When I Don't Sleep, I Dream' is the first major retrospective of Lam in New York in decades, featuring rare works like his 15-foot mural and the previously unseen 'Bruce paintings.'
Lam’s later works reflect a shift toward darker, more theatrical compositions after his 1946 trip to Europe, where he witnessed the decontextualization of African art and the devastation of war.
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Introduction to the Wifredo Lam Exhibit
“It's your last chance to catch one of our favorite art exhibits at MoMA.”
Early Relationship Between Lam and MoMA
Christophe Chiriques discusses MoMA’s early acquisition of Lam’s work in 1939, including 'Mother and Child,' and the museum’s continued engagement with Lam through the 1940s.
The Jungle's Journey and Institutional Marginalization
“He was a transnational artist. He was from Cuba. He was black. He was Chinese... he didn't fit tidily into any of the categories that the museum was trying to create and maintain at that time.”
Challenges in Curating the Exhibition
“It became for us absolutely a priority to bring it back and to show it for the first time in New York.”
“He doesn't want to be objectified like that, and he wants to sort of find a way to recontextualize African art of the diaspora in a new kind of way.”
“He was a transnational artist. He was from Cuba. He was black. He was Chinese... he didn't fit tidily into any of the categories that the museum was trying to create and maintain at that time.”
“It's your last chance to catch one of our favorite art exhibits at MoMA.”
Host
Guests
Wifredo Lam
person
MoMA
organization
The Jungle
other
Alison Stewart
person
Christophe Chiriques
person
Beverly Adams
person
Cuba
place
Brown Wrapping Paper
other
Paris
place
Pablo Picasso
person
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