Kirstin Innes
Kirsten Innes' novel *Scabby Queen* reframes the life of a radical political activist not through her own eyes, but through a mosaic of 17 fragmented perspectives—friends, lovers, family, and even those who found her dead. The book’s structure mirrors a card game where each player holds a piece of the story, and the final, lonely hand is left holding the last queen. Innes reveals that the novel was born from a real-life trauma: a friend left to discover their flatmate’s body, a moment that haunted her and became the emotional spine of the story. She wrote in stolen moments as a new mother, using Excel spreadsheets and colour-coded notes to manage the non-linear narrative. The novel explores how public figures—especially women—are reduced to 250-word obituaries that erase complexity, a theme inspired by the sudden death of Carrie Fisher, whose fiery late-life activism was instantly sanitized in the media. Innes also draws on real historical events, including undercover police officers who infiltrated radical groups and fathered children with women they were spying on, a story that inspired the heartbreaking character of Sammy. The book’s final chapter, written in Scots from the mother’s point of view, is a raw, stream-of-consciousness confession that challenges the reader to question whether any single version of a life can ever be true. The novel’s journey to publication was itself dramatic—its first edition was missing three chapters, only discovered days before print.
The novel is structured like a card game where each narrator passes Cleo on, mirroring the 'Scabby Queen' game where one player is left with the last queen.
Cleo’s life is told entirely from others’ perspectives—never her own—making her a character defined by how she’s perceived, not how she sees herself.
The book was inspired by a real-life trauma: a friend left to find their flatmate’s body, a moment that haunted Innes and became the emotional core of the story.
Innes used colour-coded Excel spreadsheets to track 17 narrators, recurring characters, and political timelines to manage the non-linear structure.
The novel critiques how public figures—especially women—are reduced to sanitized 250-word obituaries that erase complexity and contradiction.
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Introducing Scabby Queen and Cleo Campbell
“The tale that follows is therefore for the reader a posthumous account of her life, her loves and her causes.”
The Card Game Metaphor: Why 'Scabby Queen'?
“I very much wanted that this story is told in bursts as each person hands her on to the next narrator, as it were. So it's like it mirrors the card going around the hands.”
Innes' Personal Connection to Radical Politics
Innes shares how her own childhood experiences at anti-poll tax protests shaped her understanding of activism and informed Cleo’s motivations.
Writing in Snatches: The Challenges of a Multi-POV Novel
Innes reveals she wrote the novel in fragmented bursts while raising a toddler and managing a surprise second pregnancy.
“I was very careful that I was trying hard not to use verbatim any of the stories or use too much of any of the stories that these women had been through whilst also kind of shining a light on this practice.”
“You let it all go, you might as well shout to the world that things are sliding, that you're not coping. It lets the rest of the team down when they're dealing with things just as hard and worse.”
“But I very much wanted that this story is told in bursts as each person hands her on to the next narrator, as it were. So it's like it mirrors the card going around the hands.”
Host
Guest
Cleo Campbell
person
Scabby Queen
book
Kirsten Innes
person
Donald
person
Sammy
person
Eileen
person
Book Club
media
Malcolm
person
ASR
organization
Avond Vierdaagse
other
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