674. How Does a Composer Feel After the World Premiere?
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In this episode of Freakonomics Radio, host Stephen Dubner explores the emotional and artistic journey of composer David Lang following the world premiere of his ambitious oratorio, 'Wealth of Nations,' inspired by Adam Smith's 250-year-old economic treatise. The piece, performed by the New York Philharmonic under Gustavo Dudamel, blends music, narration, and historical texts to examine the human cost of economic systems. Lang reflects on the intense post-premiere depression that follows such a monumental creative effort, the collaborative magic of bringing 100+ artists together, and the deep personal meaning behind the work—particularly its 18 movements, a number with symbolic resonance in Judaism. Audiences and critics responded with enthusiasm, appreciating the piece’s emotional depth, complexity, and its challenge to simplistic interpretations of Smith’s legacy. Despite the work’s critique of concentrated wealth, it was embraced by patrons and institutions, underscoring the enduring power of art to provoke reflection without alienating its supporters. The episode also delves into broader themes: the role of patronage in the arts, the moral responsibility of creators, and how music can serve as a mirror to society’s values. Lang’s work emerges not just as a musical adaptation but as a living dialogue between past and present, between economics and ethics. He draws from diverse sources—Smith, FDR, Frederick Douglass, Eugene Debs, and religious texts—to craft a piece that is both deeply personal and universally resonant. The final movement, quoting Smith’s call for equity and justice, becomes a quiet but powerful plea for a more compassionate world. As the piece moves toward future performances at the Aspen Music Festival, Dubner reflects on the transient nature of artistic creation: the intense collaboration, the shared purpose, and the inevitable dispersal afterward. Ultimately, the episode argues that art—especially music—has a unique capacity to awaken empathy, challenge assumptions, and inspire change, even in a world obsessed with efficiency and profit.
Artistic triumph is often followed by post-premiere emotional lows, reflecting the deep personal investment composers make in their work.
The creation of large-scale music is a communal act of trust, collaboration, and shared purpose among hundreds of artists.
David Lang’s 'Wealth of Nations' reimagines Adam Smith not as a proponent of unbridled capitalism, but as a moral thinker advocating for equity and human dignity.
Music can serve as a mirror to society, revealing uncomfortable truths about wealth, power, and human connection.
The most powerful art often emerges from the tension between tradition and innovation, as seen in Lang’s reuse of an older composition within a new work.
…and 3 more takeaways available in PodZeus
The World Premiere of Wealth of Nations
“I'm here on a band trip, and this was one of the activities. So yeah, I really like all of the crescendos and how it was all building up to a really big moment at the end. I think it actually speaks to what is most beautiful about humans, that we feel better when we help others.”
The Composer’s Post-Premiere Depression
Lang reflects on the emotional aftermath of the premiere, describing a deep sense of emptiness after the intense creative and collaborative process. He shares his internal checklist of potential mistakes and the fear that even small errors could ruin the piece’s emotional impact.
The Magic of Rehearsal and Collaboration
“It does seem like an absolute miracle that a person like you could sit in your studio in Soho for a bunch of years and write dots on the paper. And then one afternoon in March of 2026, you know, 48 vocalists and then a whole bunch of musicians and a couple soloists get together. And they turn this two-dimensional thing into not even three, like six.”
Art as a Mirror to Society
“Things are not what they seem. Every word an act matters. There is a human dimension and a human cost to everything we do, and we need to wake up to that.”
The Final Movement and the Power of Equity
“No society can surely be flourishing and happy, of which the far greater part of the members are poor and miserable. It is but equity that they who feed, clothe, and lodge the whole body of the people should have such a share of the produce of their own labor.”
“No society can surely be flourishing and happy, of which the far greater part of the members are poor and miserable. It is but equity that they who feed, clothe, and lodge the whole body of the people should have such a share of the produce of their own labor.”
“Things are not what they seem. Every word an act matters. There is a human dimension and a human cost to everything we do, and we need to wake up to that.”
“It does seem like an absolute miracle that a person like you could sit in your studio in Soho for a bunch of years and write dots on the paper. And then one afternoon in March of 2026, you know, 48 vocalists and then a whole bunch of musicians and a couple soloists get together. And they turn this two-dimensional thing into not even three, like six.”
Host
Guest
David Lang
person
The Wealth of Nations
other
Adam Smith
person
New York Philharmonic
organization
Gustavo Dudamel
person
Judaism
other
Freakonomics Radio
media
Fleur Baron
person
Handel's Messiah
other
Devon Tynes
person
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