"Update on Rules for the Spatiotemporal Use of Campus Spaces" by Andrea Kriz + "[Part 2] Six-Gun Vixen and the Machinist of Doom Valley" by Ashok K. Banker
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This episode of the Lightspeed Magazine Story Podcast features two distinct narratives. First, 'Update on Rules for the Spatiotemporal Use of Campus Spaces' by Andrea Kriz presents a dystopian, satirical vision of a university grappling with a rogue time stream that has drawn students, staff, and even alternate versions of people from past and future timelines into its orbit. The newly appointed president issues sweeping regulations to maintain order, including strict ID checks, prohibitions on protest duration and coordination, and the erasure of historical memory—particularly of those who died in a past encampment. The tone is chillingly bureaucratic, masking authoritarian control under the guise of academic freedom and timeline restoration. The second story, 'Six-Gun Vixen and the Machinist of Doom Valley' by Ashok K. Banker, is a gritty, cyberpunk Western featuring a half-wolf, six-armed protagonist known as the Six-Gun Vixen. After being betrayed and captured by a corrupt industrialist, Mr. Beecham, who seeks to 'improve' humans by forcibly merging them with machinery, she escapes with the help of her cubs and a mysterious ally, Rattlesnake. Together, they infiltrate Beecham’s factory in Doom Valley, where he has enslaved and augmented countless victims, including tribal leaders and engineers. Through a combination of courage, ingenuity, and the rebellion of the very machines Beecham created, the Vixen defeats him and liberates the captives. The story culminates in a powerful affirmation of identity and resilience: being different is not a curse, but a source of strength. The episode closes with the Vixen and her companions riding toward a new horizon, embracing their hybrid nature as a form of liberation.
Authoritarian regimes often mask control in the name of order, freedom, or progress—especially when they erase inconvenient histories.
True strength lies in embracing one’s difference rather than hiding from it; identity can be a weapon against oppression.
Technology used to enforce conformity becomes the tool of liberation when those it subjugates rise up.
Trauma and memory, especially of loss and marginalization, can be transformed into power and purpose.
Alliances form not from sameness, but from shared struggle and mutual recognition of worth.
Dystopian Campus Governance in a Fractured Timeline
“They shall not be named. Their ashes shall be trodden into the greenery by students cutting across the quad, on their way to a reality where they can focus solely on their studies, unquestioned and undisturbed.”
The Six-Gun Vixen's Capture and Escape
“The things they hate you for can be your salvation.”
Infiltration of Doom Valley and the Rebellion of the Machines
“Progress comes for everyone. Sooner or later, even the men who think they control it.”
A New Horizon: Embracing Identity and Freedom
After rescuing Sarah and defeating Beecham, the Vixen is offered a place to settle, but chooses to continue riding toward the unknown. She reflects on her journey, recognizing that her differences—her six arms, wolf eyes, and hybrid nature—are not flaws, but sources of power. The story ends with her and her companions heading into the future, united not by sameness, but by shared resilience.
“The things they hate you for can be your salvation.”
“Progress comes for everyone. Sooner or later, even the men who think they control it.”
“The things they hate you for can be your ruin or your salvation.”
Host
Guests
Mr. Beecham
person
Six-Gun Vixen
person
Rattlesnake
person
University of the Time Stream
organization
Sarah
person
Doom Valley
place
Morton
person
New Providence
place
Janina Edwards
person
Sheriff Hayes
person
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