Ilona Bannister on Five: A Bold New Thriller About Fate, Death and the Last Five Minutes
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Ilona Bannister’s new thriller *Five* is a pulse-pounding, tightly wound narrative that unfolds in just five minutes on a London train platform, where five strangers’ lives intersect in a moment of sudden, irreversible consequence. What makes the book extraordinary isn’t just its breakneck pacing—it’s the razor-sharp, sardonic narrator who knows the fate of one character before the others do, exposing the quiet judgments we all make in public spaces. Bannister reveals that the idea came from a real-life tragedy and a fleeting thought on a bus: what if someone’s last five minutes were unknowingly their last? The novel’s brevity—just 212 pages—was intentional, designed to mirror the urgency of the moment and accommodate readers with fragmented time. But beneath the thriller veneer lies a deeply human story about neurodiversity, intergenerational legacy, and the invisible ways one person’s life can ripple through others. Bannister, a mother of two neurodiverse children, channels her personal experience into Sonny’s story, using fiction to challenge the lasting damage of adult judgment on young minds. Her journey to publication was anything but linear—written during pandemic lockdowns, rejected by her agent, and reshaped through relentless revision. Yet the result is a genre-defying novel that honors both literary depth and thriller momentum, proving that stories don’t need to be long to be monumental.
The entire story unfolds in just five minutes on a train platform—every sentence is timed to feel breathless and urgent.
The narrator’s sarcastic, judgmental voice exposes the unspoken biases we all carry in public spaces, making it uncomfortable and unforgettable.
Bannister wrote the book during pandemic lockdowns with two neurodiverse children, proving that writing is possible even in chaos.
Sonny’s story, about a boy with ADHD and his mother Luna, is deeply personal—Bannister wrote it to challenge how educators and medical professionals judge neurodiverse children.
The book’s brevity (212 pages) was intentional: it’s designed for readers with fragmented time, giving a sense of accomplishment without sacrificing depth.
…and 3 more takeaways available in PodZeus
Welcome to Quick Book Reviews & Pantomime Struggles
Philippa Hall introduces the podcast, shares her ongoing struggle with writing the third pantomime, and reveals how she uses Cadbury Easter eggs as a writing motivator. She warns against starting jigsaws when under pressure.
Book Reviews: The Air Apparent, Automatic Noodle & Dissection of a Murder
Philippa reviews three books: *The Air Apparent* (a royal fantasy with YA energy), *Automatic Noodle* (a cozy, joyful novella about robots opening a noodle shop), and *Dissection of a Murder* (a gripping legal thriller she’s nearly finished).
Ilona Bannister’s Dream & Nightmare Writing Spaces
Bannister shares her dream writing location—a sunlit, old New York apartment with city energy and coffee access—and her nightmare: writing her second book during pandemic lockdowns with two ADHD/dyslexic children, illness, and no privacy.
The Birth of Five: From Tragedy to Thriller
“I was just thinking about it just really struck me like, wow, he looked at that building. He looked at that pub. He looked at the flats across the street. He looked at that tree. Because that was part of the daily commute. And he just didn't know that that was it. It was the last five minutes.”
The Unplanned Narrator & The Power of Voice
“The narrator says all the things that we would never, ever say out loud. And the narrator judges people in exactly the way that we judge people but is giving a voice to it which... It's quite uncomfortable when you're confronted with it.”
“I was just thinking about it just really struck me like, wow, he looked at that building. He looked at that pub. He looked at the flats across the street. He looked at that tree. Because that was part of the daily commute. And he just didn't know that that was it. It was the last five minutes.”
“that narrator says all the things that we would never, ever say out loud. And the narrator judges people in exactly the way that we judge people but is giving a voice to it which... It's quite uncomfortable when you're confronted with it.”
“I didn't set out to write a thriller, but once it started happening, I really leaned into it and I was like, okay, this is what we're doing. This is what these folks want to do. Okay, so let's do it.”
Host
Guest
Five
book
Philippa Hall
person
Ilona Bannister
person
Jo Murray
person
Rebecca Armitage
person
Juniper
organization
Anna-Lee Newitz
person
The Exes
book
The Good Liar
book
Holly Watt
person
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Quick Book Reviews with Philippa Hall • 33m • 4/17/2026
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