Richard Vaughan Live 15/06/2026
Damian Moya, the beloved Spanish comedian known as Barrancas from El Hormiguero, reveals the surprising origins of his first novel, *Jano y el Talisman del Trueno*, in a candid conversation with Richard Vaughan. What began as a personal quest to understand why September isn’t the seventh month led Moya down a labyrinth of ancient history, mythology, and secret societies—culminating in a high-stakes thriller that blends the Punic Wars, Greek gods, and real-world mysteries like the magic square in Sagrada Familia. The book, he admits, was born during his wife’s pregnancy, with the protagonist’s name evolving from 'Hugo' to 'Jano' as the story demanded it. Moya argues that truth is dangerous—not because it’s shocking, but because it disrupts comfortable narratives. He believes in a single, objective truth and sees mythology not as fiction but as encoded wisdom, with gods like Zeus, Jupiter, and Thor representing the same universal forces. His next book will explore the radical theory that the Iliad and Odyssey were not set in the Mediterranean but in the Baltic, supported by archaeological evidence like amber in Mycenaean tombs and weather patterns described in the epics that match northern Europe. The novel is both a page-turner and a deep dive into history, with Moya admitting he initially overwrote it with too much information—so much so that his wife and publisher forced him to lighten it.
The protagonist's name 'Jano' evolved from 'Hugo' because the story demanded it, reflecting a deeper mythological truth about the god Janus and the origin of January.
The book's central mystery began with a simple question: why isn't September the seventh month? This curiosity led Moya down a rabbit hole of ancient history, mythology, and secret societies.
Moya believes in a single, objective truth and sees mythology as encoded wisdom—gods like Zeus, Jupiter, and Thor represent the same universal power, not separate deities.
He is 100% convinced that the Iliad and Odyssey were set in the Baltic, not the Mediterranean, based on evidence like amber in Mycenaean tombs and weather patterns described in the epics.
The magic square in Sagrada Familia is based on Saturn’s magic square, and every line adds up to 33—the age of Jesus at death—suggesting a deliberate, hidden message.
…and 3 more takeaways available in PodZeus
Welcome to Live Radio: Baugan in the Moment
Richard Vaughan opens the live episode with a declaration of presence—this is not a repeat, but a real-time broadcast from the present. He emphasizes the importance of being 'in cuerpo presente'—body, mind, and spirit—setting the tone for authenticity.
Introducing Damian Moya: Barrancas and the Birth of a Novel
“When I started writing Oh My God during the pandemic, I had a question that it was like, why September is not in the seventh position?”
The Spark: From Calendar Mystery to Ancient History
“I started reading the trilogy of Africanus by Santiago Posteguillo... and the battles that I read about... suddenly you're in the middle of Rome studying it and asking yourself why.”
The Origin of the Story: The Cibeles Scene and the Name 'Jano'
“The first thing I found was the end of the story. Like a very crazy scene, like a lot of action. And that's the Cibeles scene that you must have read there.”
The Puzzle of Writing: Structure, Research, and the Two Endings
Moya describes writing as solving a puzzle. He created a skeleton of the story but had to rewrite it five times to refine the style. He reveals there were two endings—one for the story, one for the denouement.
“Also anything you read in the Odyssey, the water is never blue. The weather is never nice. The sky is gray. Yeah. And in the Iliad, there are one or two battles against in front of the walls of Troy that last 24 hours with daylight. And you can't that doesn't happen in the Mediterranean. But it does happen in the Baltic.”
“The first commandment, one of the crazy things I found is like the first commandment is not what I expected. I expected it to be no matarás, you won't kill or amarás a Dios sobre todas las cosas. Nothing to do with it. His first commandment is, you won't have another god.”
“The first thing I found was the end of the story. Like a very crazy scene, like a lot of action. And that's the Cibeles scene that you must have read there.”
Host
Guest
Damian Moya
person
Jano y el Talisman del Trueno
book
Richard Vaughan
person
Barrancas
person
Sagrada Familia
other
El Hormiguero
media
Cibeles
other
Santiago Posteguillo
person
Iliad
other
Odyssey
other
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