Rig Rundown: Madison Cunningham
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In this episode of Rig Rundowns, John Bollinger sits down with guitarist Madison Cunningham at Third Man Records in Nashville to explore her unique approach to guitar playing and her eclectic gear setup. Cunningham shares how her fascination with complex, fluid guitar parts began at age 10 after watching a family friend perform a song with intricate rhythmic layering and vocal independence. She describes her creative process as intuitive and ear-driven, rejecting formal music theory in favor of muscle memory and experimentation. Her signature sound is built around a custom-modified Silver Tone classical guitar with a Seymour Duncan rail pickup and a rubber bridge, paired with a vintage Princeton amp and a meticulously crafted pedalboard built by her father. The pedalboard features a mix of analog wonders including a JHS Artificial Blonde tremolo, a Boss Loop Station, a Chroma Console for reverse effects and fuzz, and a Galaxy pedal for ambient feedback textures. Cunningham embraces the unpredictability of live looping and analog gear, viewing technical failure not as a flaw but as a vital part of the performance—'shame is our third bandmate.' Her current tour features a two-piece band with a saxophonist who handles bass, synth, and looping, creating a rich, layered sound with minimal instrumentation. Throughout the conversation, Cunningham emphasizes authenticity, spontaneity, and the joy of discovery over technical perfection.
Embrace intuitive, ear-driven music-making over formal theory to unlock creative freedom.
Use gear as an extension of your artistic identity—build or modify tools to serve your unique voice.
Accept and even celebrate technical failures; they’re essential to live performance authenticity.
A pedalboard built by a musician’s family can be a deeply personal and functional instrument.
Looping live is a high-stakes, rewarding challenge that demands a strong relationship with vulnerability.
…and 2 more takeaways available in PodZeus
Introduction and First Impressions
“I remember just thinking like, that's kind of defying gravity and just thought it was so cool.”
The Silver Tone Classical Guitar
Cunningham details her custom-modified Silver Tone classical guitar—originally bought by her friend Tyler Chester from L.A.'s Ruben Cox. The guitar features a rail pickup, rubber bridge, and flat-wound strings, creating a deep, resonant tone ideal for her style.
The Pedalboard: Built by Her Father
“You have to be very kind to your shame. There's a lot of it.”
Signature Effects and the JHS Artificial Blonde
Cunningham demonstrates her JHS Artificial Blonde pedal—a custom stereo tremolo based on the Emperor pedal—used for subtle, ever-present texture. She praises its ability to add 'dimension' and 'feel like home.'
The Chroma Console and Reverse Magic
“That's one of my favorite parts of like before an orchestral performance that was so musical.”
“Shame is our third bandmate.”
“You have to be very kind to your shame. There's a lot of it.”
“I remember just thinking like, that's kind of defying gravity and just thought it was so cool.”
Host
Guest
Madison Cunningham
person
John Bollinger
person
Silver Tone
brand
Tyler Chester
person
Princeton Amp
brand
Galaxy
brand
JHS
brand
Chroma Console
brand
Boss
brand
Third Man Records
organization
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