#574 – Psycho (1998)
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In episode 574 of *Straight Chilling: Horror Movie Review*, hosts Bob, Rand Diesel, and Soju deliver a scathing critique of Gus Van Sant's 1998 shot-for-shot remake of Alfred Hitchcock's *Psycho*. The episode opens with banter about the show’s May poll, which favors *Twilight Breaking Dawn Part One* as a 'monumental mommy' movie, prompting jokes about Easter and family dynamics. The hosts then dive into their collective disdain for the remake, calling it a soulless, self-defeating experiment that fails to capture the original’s tension, innovation, or artistry. Despite using the same script, score, and shot composition, they argue the film feels disjointed, dated, and emotionally hollow—like watching actors mimic a classic without understanding its spirit. They highlight the jarring anachronisms (like Walkman references and 90s fashion), the awkward performances (especially Vince Vaughn’s goofy, unconvincing portrayal of Norman Bates), and the bizarre additions (such as birds in the basement and a poorly executed shower scene). The hosts debate whether the film was a failed artistic statement or simply a money grab, ultimately agreeing it’s a waste of time and money. They rate it a 0.5, 0.5, and 1 star respectively, averaging a 0.7. The episode concludes with a Rotten Tomatoes trivia segment, trivia about the film’s production, a 'Cooter of the Week' segment (nominating Gus Van Sant and Norman Bates), and updates on what the hosts have been watching, including *Midnight Mass*, *Running Man*, and a Korean film called *Adablish Homicide*.
The 1998 *Psycho* remake is a soulless, shot-for-shot copy that fails to capture the original’s tension, artistry, or emotional weight.
Gus Van Sant’s experiment to prove 'you can’t copy a film' backfires—it’s not a bold artistic statement but a costly, self-defeating money grab.
Vince Vaughn’s performance is widely criticized as goofy, unconvincing, and tone-deaf to the horror genre.
The film’s anachronisms (Walkman, 90s fashion) and odd additions (birds in the basement, exaggerated dialogue) make it feel disjointed and unintentionally comedic.
Despite being made with A-list talent and a big budget, the film is universally panned for its lack of creativity and authenticity.
…and 3 more takeaways available in PodZeus
Intro & Poll Tease: Monumental Mommy Movies
The episode opens with host Bob welcoming listeners and introducing the May poll theme: 'monumental mommies.' The three contenders are *The Good Son*, *The Taking of Debra Logan*, and *Twilight Breaking Dawn Part One*. Rand Diesel and Soju react with disbelief to the poll results, with *Twilight* winning by a landslide. The hosts joke about Easter, family dynamics, and the irony of the poll’s theme, setting a lighthearted tone before diving into the main review.
The 1998 *Psycho* Remake: A Soulless Experiment
“It feels like watching a tiger wear a tiger coat or a hairless cat. It’s not the right thing in the wrong place—it’s just wrong.”
Why the Remake Fails: Performance, Tone, and Anachronism
“It’s not even in the same realm of artistry that I was just kind of blown away at how far apart they were.”
Rotten Tomatoes, Trivia, and the Cooter of the Week
“The crimes of Hitchcock's *Psycho* are theft and imitation. Van Sant turns those into an aesthetic and I think into a triumph of queer cinema. What dude what?”
What We’ve Been Watching & Hotline Screams
The hosts share what they’ve been watching: Rand Diesel is rewatching *Midnight Mass* and enjoying *Mayor of Bimmy Gardens*, a surreal Chris Fleming pilot. Soju is watching *The Testament of Ann Lee*, a religious musical about the Shakers, which he praises for its respect to its subject. Bob discusses *The Housemaid* and *Running Man*, the latter being a fun, action-packed remake by Edgar Wright. The episode ends with voicemails from fans discussing hot dogs, remakes, and a humorous legal prank from 'Hugh Janus' claiming ownership of 'Cooter of the Week.'
“The crimes of Hitchcock's *Psycho* are theft and imitation. Van Sant turns those into an aesthetic and I think into a triumph of queer cinema. What dude what?”
“This is the worst fucking store brand of a movie I've ever seen.”
“It’s not even in the same realm of artistry that I was just kind of blown away at how far apart they were.”
Host
Bob
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Psycho (1998)
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Psycho (1960)
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Rand Diesel
person
Soju
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Vince Vaughn
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Gus Van Sant
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Alfred Hitchcock
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Julianne Moore
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William H. Macy
person
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