Sonic Youth and Murder, with Jake Brennan
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The iconic cover of Sonic Youth's 1990 album *Goo*—featuring a striking, androgynous couple with the chilling quote 'I stole my sister's boyfriend. It was all whirlwind, heat and flash. Within a week we killed my parents and hit the road'—hides a harrowing true crime story from 1960s Manchester. The image, drawn by artist Raymond Pettibon, was inspired by a real paparazzi photo of David Smith and Maureen Hindley, a young couple caught in the aftermath of the Moors Murders, a series of brutal killings committed by serial killers Ian Brady and Myra Hindley. Though Pettibon and Sonic Youth were unaware of the dark origins, the image’s raw, rebellious energy perfectly mirrored the band’s avant-garde ethos. The episode reveals how a 17-year-old David Smith, horrified by the murder of a teenager in front of him, was coerced into silence and later became a reluctant witness, leading to the arrest of the killers. Despite his innocence, public perception painted him as a criminal, a victim of media hysteria and social panic. The story, long buried, now stands as a chilling example of how pop culture can absorb and aestheticize unspeakable evil—without knowing it. Jake Brennan, host of *Disgraceland*, unpacks this convergence of music, art, and true crime, arguing that the most fascinating stories are always the ones they don’t want you to know.
The Sonic Youth album *Goo* cover was based on a real 1960s photo of David Smith and Maureen Hindley, who were linked to the Moors Murders—Britain’s most notorious serial killings.
Artist Raymond Pettibon used the image without knowing its true crime origins, creating a cover that became iconic despite its dark, violent backstory.
David Smith, a 17-year-old at the time, witnessed a murder by Ian Brady and Myra Hindley, then reported it to police—yet was publicly vilified as a criminal due to his appearance and countercultural image.
The Moors Murders were driven by nihilism and sadism, with victims as young as 10, and the killers even picnicked near buried bodies, making it one of history’s most disturbing cases.
Sonic Youth had no idea about the cover’s origin; they chose it for its raw, rebellious aesthetic, not its true crime roots.
…and 3 more takeaways available in PodZeus
Intro and iHeartRadio Promos
The episode opens with a series of promotional clips for other iHeartRadio podcasts, including *Hey Jonas*, *Humor Me with Robert Smigel and Friends*, *Kingdom of Fraud*, and *Renee Stubbs Tennis Podcast*, before transitioning to the main show.
Welcome to the Show and Introducing Jake Brennan
The hosts introduce themselves and welcome back Jake Brennan, the creator of *Disgraceland*, praising his unique ability to blend music, history, and true crime. They set the tone for a deep dive into the hidden story behind Sonic Youth’s *Goo* album cover.
The Sonic Youth Connection and the Goo Album
The hosts and Jake discuss Sonic Youth’s cultural impact, their 1990 album *Goo*, and the iconic, mysterious cover art. They emphasize how the band’s cool, underground aesthetic made the cover instantly iconic—without knowing its true origins.
The True Crime Origin of the Cover Image
“I stole my sister's boyfriend. It was all whirlwind, heat and flash. Within a week we killed my parents and hit the road.”
The Moors Murders: Ian Brady and Myra Hindley
“They picnic around the buried dead bodies. It's insane that this is not a more widely discussed case.”
“I stole my sister's boyfriend. It was all whirlwind, heat and flash. Within a week we killed my parents and hit the road.”
“The most interesting stories from history, to your point, all three of you, is the stuff that they don't want you to know.”
“They picnic around the buried dead bodies. It's insane that this is not a more widely discussed case.”
Hosts
Guest
Sonic Youth
other
Goo
media
Disgraceland
media
Ian Brady
person
Myra Hindley
person
Jake Brennan
person
David Smith
person
Raymond Pettibon
other
Thurston Moore
person
Kim Gordon
person
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