World Cup poetry: lines for the beautiful game
The BBC's 'In The Studio' podcast explores how poetry and football intersect during the 2026 FIFA World Cup, hosted across the U.S., Canada, and Mexico. Poet Ian McMillan, Barnsley FC’s longtime poet-in-residence, reveals how he crafted 'The World Cup is a Shining Poem'—a work born from rhythm, rhyme, and the quiet magic of letting ideas marinate. His process mirrors a football match: structured yet unpredictable, with half-time talks and walks through familiar villages sparking breakthroughs. The episode also features Lee Herrick, California’s first Asian American Poet Laureate, who traces his emotional connection to South Korea through football’s universal language. Ghanaian commentator Joyce Anoyeboa shares how local phrases like 'Wapai Shot Nase Ponyim'—meaning a shot that hit the post—capture the game’s soul in ways English cannot. Together, they argue that football chants, commentary, and even goalkeepers are forms of poetry in motion. The episode closes with McMillan’s freestyle rap-style prediction: England and Scotland both winning the cup in a dreamlike, poetic twist. At its core, the podcast asserts that football isn’t just a sport—it’s a global language of joy, memory, and collective imagination. The real revelation isn’t just that poets write about football, but that football fans are already poets—singing, chanting, and improvising stories in real time. The World Cup becomes not just a tournament, but a living, breathing poem written by millions.
Poetry and football share rhythm, structure, and the power to surprise—both thrive within constraints.
Chants and commentary are oral poetry, evolving spontaneously in stadiums and streets.
A goal scored in Ghanaian commentary is not just a score—it's a phrase like 'Wapai Shot Nase Ponyim' that captures emotion in a single line.
Letting a poem 'marinate'—sleeping on it, walking, forgetting—allows subconscious creativity to form the final work.
The penalty spot is a 'white full stop'—a moment of pause where the poem or game can change forever.
…and 3 more takeaways available in PodZeus
The World Cup as a Living Poem
“The World Cup is a shining poem where the images sing and the lines along, painted on the grass like words on a page.”
Ian McMillan: Poet of Barnsley
Ian McMillan, poet-in-residence for Barnsley FC, discusses his deep connection to football and how he began writing a poem for the World Cup, starting with a simple rhyme.
Lee Herrick: Football as Cultural Bridge
“Soccer is its own language and way to connect to the culture.”
Joyce Anoyeboa: The Poetry of Ghanaian Commentary
“Wapai Shot Nase Ponyim—meaning the shot hit the post—just gives them some sort of picture that you know it was very very close.”
The Creative Process: Walks, Rhyme, and Rhythm
McMillan details his method: writing a draft, sleeping on it, walking, and returning with a fresh mind. He compares this to a football team’s half-time talk.
“And as I turn round, I miss the goal that gets the World Cup in a shining place that gets the World Cup with a grin on my face because England and Scotland both won the cup.”
“The whistle blows and the game begins, and the words begin, and the song. The World Cup's a shining poem where the images sing and the lines along, painted on the grass like words on a page.”
“You know, I don't speak the language fluently, but soccer is its own language and way to connect to the culture.”
Host
Guests
FIFA World Cup
other
Ian McMillan
person
Ghana
place
Lee Herrick
person
Joyce Anoyeboa
person
Barnsley FC
organization
California
other
Twi
other
BBC World Service
organization
Kobna Yeboa
person
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