Podcast 547: Ryan Richter on Backing Dijon at Coachella
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Ryan Richter, former Fretboard Journal employee and in-demand guitarist, delivers an electrifying behind-the-scenes account of his Coachella sets with Dijon—two of the most talked-about performances of the festival. What made it extraordinary wasn’t just the music, but the unprecedented level of technical and cinematic precision: a custom-built MIDI controller, a fully digital rig with no amps, and a private cinematography team that captured the show in cinematic quality rivaling major concert films. Richter reveals how the band rehearsed for five days in Van Nuys, integrated last-minute guest Mike McGee, and overcame extreme heat challenges that threatened to crash their computer systems. Despite the chaos, the performance was emotionally resonant—so much so that backstage crew members were sobbing after the show. Richter also shares his shift from analog gear to streamlined digital workflows, his upcoming tour with Mumford & Sons, and his two groundbreaking one-track albums that defy traditional formats. He reflects on the power of immersive listening experiences, from $300,000 audio systems to vinyl test pressings that nearly led him to alter his master mix—only to realize the raw, bass-heavy sound was exactly right. The episode is a masterclass in modern performance art: where music, technology, and storytelling collide.
Use a custom MIDI controller (like Yaltex) to unify complex digital workflows—no more wall-of-pedals chaos.
Performing at Coachella requires a private cinematography team; Jack Karaszewski and Alex Lil captured the show in cinematic quality rivaling major concert films.
No amps on stage? That’s now standard—Richter used a computer, VSTs (like Benson for bass), and a clean digital signal for pristine sound.
Heat is a silent killer: computer CPUs hit 160% in direct sunlight—use thermal blankets or heat-resistant laptop tents.
The most powerful moments aren’t on stage—they’re in the audience. After the set, crew members were sobbing; one fan couldn’t speak.
…and 3 more takeaways available in PodZeus
Coachella with Dijon: A Rare Behind-the-Scenes Look
Jason Verlinde introduces Ryan Richter, a former Fretboard Journal employee and now a top-tier guitarist, who just wrapped up two of Coachella’s most talked-about sets with Dijon.
The Scale of Coachella: Logistics, Heat, and Hidden Chaos
Richter describes the extreme logistical challenges of Coachella—3-hour drives for 12 miles, heat-induced computer crashes, and the need for thermal blankets to keep rigs running.
Rehearsal, Innovation, and the Custom MIDI Controller
The band rehearsed for five days in Van Nuys. Richter reveals how he built a custom MIDI controller in Argentina (Yaltex) to control his entire digital rig in real time.
No Amps, Just Digital: The Future of Live Guitar
Richter used no amps—only a computer, VSTs (like Benson for bass), and a clean digital signal. He argues this is the future: more consolidated, less cluttered.
Cinematography as Art: Jack Karaszewski and Alex Lil’s Vision
A private film crew captured the show in cinematic quality. Richter praises their work, especially the stabilized shoulder-mounted crane camera that looked like a James Cameron submersible.
“was sitting and doing my thing, like, I mean, I was playing music and I was focused on what I was doing, but I kind of couldn't really see that. part of the front of the stage”
“If someone, if I bought one of those devices, it would probably be because I knew that there was someone who, you know, really went in deep capturing amps that I would actually want to play.”
“you know about to push it all back by a week or so so i could get another version of the thing but really happy i didn't because i think it sounds great”
Host
Guest
dijon
person
ryan richter
person
fretboard journal
organization
jack karaszewski
person
mumford & sons
other
alex lil
person
mike mcgee
person
fretboard summit
other
yaltex
organization
mixwave
organization
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