041026 ~ "The Drama" - Perry Seibert
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The guest, Perry Seibert, delivers a sharply observed and unconventional review of *The Drama*, a dark psychological comedy starring Zendaya and Robert Pattinson. He praises the film’s bold structure—built almost entirely on montage and rapid editing rather than traditional narrative progression—and lauds its emotionally intelligent handling of anxiety, calling it a 'comedy of anxiety' that avoids becoming a mere torture fest. While he acknowledges the film’s tonal tightrope—neither light enough nor dark enough to fully commit to its unsettling premise—he ultimately celebrates its ending, which he calls beautifully set up and deeply satisfying. The movie’s central secret, which drives the entire narrative, is deliberately withheld, and Seibert argues that its controversial nature isn’t a marketing gimmick but a narrative choice that forces audiences to engage with the film’s emotional core. He also highlights the film’s rare achievement: a young cast portraying adult emotional complexity in a way that feels authentic, not juvenile. Despite reservations about the middle section and the film’s reliance on a provocative revelation, Seibert insists it’s one of the most original and well-structured films of the year—especially surprising for April. He credits the Norwegian director Christopher Borley and A24’s savvy marketing for turning a niche, risky project into a $28 million opening weekend success.
The Drama uses montage over traditional scenes to mirror the groom’s mental spiral, creating a uniquely paced, anxiety-driven narrative.
The film’s central secret is intentionally withheld, and its power lies in how it’s revealed—not in the shock value itself.
Despite tonal uncertainty, the movie succeeds because it treats its characters with emotional honesty, even when they act immaturely.
Zendaya delivers her best performance to date, breaking through her usual 'blank' screen presence with layered complexity.
Robert Pattinson excels in a role with no clear motivation—just emotional reeling—proving his strength in nuanced, under-directed performances.
…and 3 more takeaways available in PodZeus
Introducing 'The Drama' and Its Star-Studded Premise
Perry Seibert introduces *The Drama*, a dark psychological comedy starring Zendaya and Robert Pattinson, as the first of three joint films this year. He sets up the film’s premise: a couple on the brink of marriage, with one partner revealing a deeply disturbing secret during a group confessional.
The Unconventional Structure: Montage Over Narrative
Seibert praises the film’s radical structure—almost entirely composed of quick cuts and montage—avoiding traditional dramatic arcs. He explains how this mirrors the groom’s mental state, creating a sense of disorientation that never becomes boring.
Tonal Tension: Comedy vs. Horror
The film walks a fine line between dark comedy and anxiety-inducing drama. Seibert notes it’s not a horror film in the traditional sense but uses discomfort to fuel humor, though he admits the tone occasionally falters in its balance.
The Ending That Redeems the Middle
“I sat there – it's one of those movies where for the last half hour I sat there going, depending on how this ends, I could really hate this movie. And I love the way it ends.”
A24’s Marketing Genius and the Film’s Cultural Impact
Seibert applauds A24’s marketing strategy—framing the film as a surprise with two major stars—which successfully drew audiences to a niche, adult-oriented drama, resulting in a strong $28 million opening weekend.
“I sat there – it's one of those movies where for the last half hour I sat there going, depending on how this ends, I could really hate this movie. And I love the way it ends.”
“It's the kind of movie they say they don't make anymore. Well, they made it. They did.”
“is a comedy of anxiety is what this movie is uh and that's And as far as that goes, it's fine.”
Host
Guest
The Drama
media
Perry Seibert
person
Zendaya
person
Robert Pattinson
person
Lucy Ann Lance
person
A24
organization
Christopher Borley
person
Ari Aster
person
Michigan Movie Critics Guild
organization
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