052226 - "The Devil Wears Prada 2" - Perry Seibert
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Perry Seibert delivers a sharp, candid critique of *The Devil Wears Prada 2*, arguing that while it’s a commercial juggernaut—boasting the biggest opening weekend of Meryl Streep’s career and the largest comedy debut since *Pitch Perfect 2*—it’s ultimately a creatively lazy rehash of the original. He calls the film 'fan service' masquerading as a sequel, noting that it recycles the same plot, rhythm, and character dynamics with only aging characters and minor callbacks to justify its existence. Despite the dazzling fashion and the undeniable chemistry of Meryl Streep and Stanley Tucci, Seibert finds the movie hollow, overly corporate, and more interested in product placement than storytelling. He questions why Anne Hathaway’s character would return to a toxic environment after 20 years of professional growth, calling the narrative logic weak. While acknowledging the film’s entertainment value for fans, he concludes it’s not a worthy evolution of the original—just a safe, profitable repetition that fails to earn its sequel status.
The sequel is a rehash of the original film’s plot, rhythm, and character dynamics with no meaningful evolution.
Meryl Streep’s performance remains iconic, but the film doesn’t deepen her character—she’s unchanged from the first movie.
The movie’s biggest success is commercial, not artistic: it’s the biggest opening of Streep’s career and the largest comedy debut since *Pitch Perfect 2*.
The film feels like product placement disguised as storytelling, with excessive fashion name-dropping and brand visibility.
Anne Hathaway’s return to the toxic workplace is narratively implausible given her 20-year career growth as a journalist.
…and 3 more takeaways available in PodZeus
Introducing the Sequel
Perry Seibert introduces *The Devil Wears Prada 2*, acknowledging its massive box office success and the anticipation surrounding the long-awaited sequel.
The Same Movie, Just Older
Seibert argues the sequel is structurally identical to the first film, recycling the same setup, character arcs, and rhythm despite the passage of 20 years.
Fan Service Over Substance
He critiques the film as a collection of callbacks and nostalgia-driven moments, calling it 'fan service' rather than a meaningful sequel.
The Hollow Core of the Story
Seibert highlights the narrative flaws, especially Anne Hathaway’s return to a toxic environment after professional growth, which he finds implausible.
Fashion Over Story
He criticizes the film’s focus on high-end fashion and brand visibility, suggesting it feels like a product showcase rather than a story.
“Is this good? No. Might you enjoy it? Sure. But is it good? No, it's not.”
“The first one at least feels like a human story. This feels like it's doing a lot of work to sell a lot of really high -end”
“David Frankel went to movie jail. It's a real thing.”
Host
Guest
The Devil Wears Prada 2
media
Meryl Streep
person
Perry Seibert
person
Anne Hathaway
person
Lucy Ann Lance
person
Stanley Tucci
person
David Frankel
person
Collateral Beauty
media
Pitch Perfect 2
media
Michigan Movie Critics Guild
organization
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