304 - Wes Scantlin from Puddle of Mudd
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In episode 304 of The Mistress Carrie Podcast, host Mistress Carrie welcomes back Wes Scantlin of Puddle of Mud for a candid and chaotic conversation that spans his recent creative resurgence, personal struggles, and wild anecdotes from the road. Scantlin reflects on his journey through addiction and sobriety, emphasizing the importance of forgiveness, staying away from 'lurkers,' and focusing on music as healing. He discusses the release of the new single 'Free' and the full album 'Kiss the Machine,' produced by Eric Colvin, while also revealing plans for a new solo album and a feature film titled *Cha-Ching Ching*, shot entirely on iPhones and edited in iMovie. The episode is packed with Spinal Tap-style absurdity, including a bizarre TSA incident in LAX where he was mistaken for a criminal after needing to use a convenience store bathroom during a chaotic airport experience. Scantlin also shares heartfelt tributes to fallen musicians like Brad Delp, Taylor Hawkins, and Fred Durst, and expresses deep gratitude for the rock community and his support system. The conversation is both raw and humorous, showcasing Scantlin’s resilience and unfiltered personality. Key takeaways include: prioritize emotional presence in music; embrace collaboration across genres and generations; use creative projects as a form of healing and self-expression; stay away from toxic people; and never underestimate the power of a simple acoustic guitar and a hotel room. The episode ends on a note of hope and artistic renewal, with Scantlin reaffirming his commitment to music, film, and connection. The overall tone is deeply positive, reflective, and celebratory of second chances and creative rebirth.
Emotional presence in music is more important than perfection.
Collaboration across generations and genres fuels creative innovation.
Creative projects like music and film can be powerful tools for healing and personal growth.
Stay away from 'lurkers' and negative people who drain your energy.
Sobriety is a journey, not a straight line—turn away from conflict and keep moving forward.
…and 3 more takeaways available in PodZeus
Welcome to the War Room
Mistress Carrie opens the episode with a dramatic intro featuring celebrity cameos, setting the tone for a high-energy, rock-centric podcast. The stage is set for a bold and unfiltered conversation with guest Wes Scantlin.
Wes Scantlin Returns: A Life in Flames
“I will not actually throw anybody under the bus in my life. I will just continue to create music and entertainment and stuff like that. And that's how I roll.”
Spinal Tap Moments and TSA Nightmares
“They threw me in a dungeon and that's it. So I spent, I don't know, a couple months in the dungeon, in the Twin Towers. The food was not that great, but everybody was kind.”
Covering Legends: From Zeppelin to Eddie Money
Scantlin discusses the challenges of covering iconic rock songs, especially those with high vocal ranges. He shares his experience recording the *Rediscovered* album with legends like Robert Plant and Billy Squire, and reveals why the Eddie Money cover didn't make the cut.
The Movie That Was Filmed on iPhones
“We go to the shows and we are the actual people that deal the substances. And so it's a whole transfer thing, but then everything goes sideways and the cops come in and they bust everybody.”
“They threw me in a dungeon and that's it. So I spent, I don't know, a couple months in the dungeon, in the Twin Towers. The food was not that great, but everybody was kind.”
“We go to the shows and we are the actual people that deal the substances. And so it's a whole transfer thing, but then everything goes sideways and the cops come in and they bust everybody.”
“I will not actually throw anybody under the bus in my life. I will just continue to create music and entertainment and stuff like that. And that's how I roll.”
Host
Guest
Wes Scantlin
person
Puddle of Mud
other
Mistress Carrie
person
Kiss the Machine
media
Fred Durst
person
Eric Colvin
person
Cha-Ching Ching
media
iPhone
product
Spinal Tap
other
Jonathan Davis
person
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