Severin Films' David Gregory

The Movies That Made Me1h 28mApril 14, 2026

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AI-Generated Summary

In this episode of 'The Movies That Made Me,' host Joe Dante sits down with David Gregory, co-founder of Severin Films, to explore the films that shaped Gregory’s cinematic journey and the often-unseen work of preserving and restoring cult, genre, and forgotten cinema. Gregory shares his deep affection for Severin’s meticulous restorations, highlighting landmark releases like the 4K restoration of 'Delicatessen' and the exhaustive box sets on filmmakers like Al Adamson and Jimmy Sangster. He recounts formative experiences watching films like 'Dracula vs. Frankenstein' and 'Bloody Moon' in his youth, and how the UK’s 'video nasties' scandal cemented his passion for horror and resistance to censorship. The conversation turns to Severin’s ambitious projects, including a 13-disc Grand Guignol box set with a 90-minute documentary on the infamous Parisian Theatre of Horrors, and their ongoing quest to recover lost films like 'Unhinged' and 'Exit the Dragon, Enter the Tiger.' Gregory candidly reveals the legal and logistical hurdles—especially with major studios like Disney and Warner Bros.—that prevent the release of films like 'The Nanny' and 'The Devils,' despite their cultural and artistic value. The episode is a love letter to physical media and film preservation, celebrating Severin’s role as a 'heroic act' in saving cinema from obscurity. Gregory’s reverence for filmmakers like Jess Franco and the raw, chaotic energy of exploitation cinema shines through, as does his belief in cinema as a living, breathing art form. The discussion ends on a hopeful note, with a call to action for film lovers to support organizations like Missing Movies and to cherish the tactile, imperfect beauty of restored prints. Ultimately, this is a celebration of cinema’s resilience, the power of nostalgia, and the quiet revolution happening in film vaults across the world.

Key Takeaways
1

Severin Films is a boutique label dedicated to restoring and releasing forgotten, cult, and genre films with meticulous care, often surpassing even Criterion in extras and depth.

2

The 'video nasties' scandal in 1980s England, though based on fearmongering, unintentionally preserved and elevated many low-budget horror films by making them cultural artifacts.

3

Many films are lost not due to lack of interest, but because of complex ownership, destroyed film elements, and the closure of labs—making recovery a detective-like mission.

4

Restoration isn’t just technical; it’s emotional and historical. Films like 'Delicatessen' and 'The Nanny' gain new life and meaning when seen in high quality.

5

The Grand Guignol Theatre in Paris was a real-life precursor to modern horror, using real blood and shock tactics to terrify audiences during wartime, proving horror’s deep roots in human psychology.

Chapters
0:00
10 min

Opening: The Ghosts of Philadelphia Theaters

The episode opens with a nostalgic reflection on the decline of movie theaters in Philadelphia, particularly the Goldman Theater, once a hub for horror and Kung Fu films. The hosts lament the loss of these cultural spaces and set the tone for a conversation about cinema’s physical legacy.

10:00
10 min

Severin Films: The Guardians of Forgotten Cinema

Joe and Josh introduce David Gregory, co-founder of Severin Films, praising the label’s dedication to preserving genre cinema. They discuss how Severin goes beyond standard releases, offering deep dives into film history, restoration, and the cultural significance of obscure works.

20:00
10 min

The Grand Guignol: Cinema’s First Theatre of Horrors

The Grand Guignol Theatre in Pigalle... was putting on these naturalistic plays where they chopped people up and terrified their audiences.

Highlight
30:00
10 min

Dracula vs. Frankenstein: A Frankensteined Masterpiece

It didn't start out as a Frankenstein movie. It started out as The Blood Seekers.

Highlight
40:00
10 min

The Video Nasties & the Birth of a Film Lover

At that point, and now here I am with Severin, I think I can't... We've done countless of the video nasties, restored them.

Highlight
High-Impact Quotes
It's owned by Warner Brothers. Lightning would have to strike a certain Warner Brothers executive or two in order for that picture.
David Gregory83:05
Viral: 90.0
They don't want to be damned to hell is why they're not releasing it.
David Gregory84:06
Viral: 88.0
The Grand Guignol Theatre in Pigalle... was putting on these naturalistic plays where they chopped people up and terrified their audiences.
David Gregory12:19
Viral: 85.0
Speakers

Hosts

Joe DanteJosh Olson

Guest

David Gregory
Topics Discussed
Film Preservation95%Cult and Exploitation Cinema90%The History of Horror88%The Grand Guignol Theatre87%Physical Media and Restoration85%The Video Nasties Scandal82%Lost Films and Film Elements80%Independent Filmmaking78%
People & Brands

David Gregory

person

15xPositive

Severin Films

organization

12xPositive

Grand Guignol Theatre

organization

12xPositive

Al Adamson

person

11xPositive

Jess Franco

person

10xPositive

Joe Dante

person

10xPositive

Josh Olson

person

8xPositive

The Nanny

media

8xPositive

Udo Kier

person

6xPositive

Alejandro Jodorowsky

person

6xPositive

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