Satan's Dinosaurs & More!
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In this episode of the wellRED podcast, Trey Crowder dives into a mix of personal anecdotes, creative reflections, and cultural commentary. He begins by revisiting a misremembered scene from the TV show Patriot, which he initially believed featured a white Victorian child with a black umbrella flying off a roof—only to discover it was actually a black child with a yellow umbrella, a detail he subconsciously altered due to racial bias. This leads to a broader discussion about memory, perception, and unconscious bias. He then shares the rediscovery of a long-forgotten screenwriting collaboration with DJ, a half-finished script titled 'Flea Mess' that he finds hilarious and cringeworthy, prompting him to consider finishing it as a sample piece—though he plans to significantly rewrite the character of Drew to make him more relevant and less dated. The episode transitions into physical comedy and personal injury stories, including a jaw dislocation from laughing too hard at a comedy show, back pain from lifting, and leg soreness from dancing. He recounts a surreal encounter with an elderly man warning him about blood clots from long drives, which triggers a panic attack and a philosophical rant about God’s design of panic attacks and heart attacks having identical symptoms—leading to a darkly humorous theological bit about Satan creating dinosaurs as a faith test. The episode closes with a satirical take on soda marketing, questioning whether Sprite is racially targeted toward Black audiences, and a nostalgic riff on Jackass 2’s improvised humor, culminating in a call to action for upcoming tour dates and subscriptions to his Substack.
Memory is unreliable and often shaped by unconscious bias, as seen in Trey’s misremembered TV scene.
Revisiting old creative work can be both hilarious and humbling, prompting reflection on growth and revision.
Physical comedy and injury are inevitable parts of aging, but they also provide rich material for storytelling.
Satan’s dinosaur joke is a powerful satirical device to critique faith-based explanations for scientific evidence.
Marketing often uses race and identity in subtle, controversial ways, as seen in Sprite’s perceived targeting of Black consumers.
…and 2 more takeaways available in PodZeus
The Misremembered Scene and Memory Bias
“I just turned the whole thing Mary Poppins-esque, but it wasn't. It was like a... You also turned it off, right?”
Rediscovering a Forgotten Screenplay
“This isn't good. Like, uh, this is way from the nose and it's cringeworthy.”
The Physical Comedy of Aging
“I almost dislocated completely my jaw from joy. I was experiencing joy and my face was like, nah.”
Satan’s Dinosaurs: A Theological Joke
“How fucking high was Satan when he came up with that shit? It's like, he was really pushing the boat out with that one.”
Soda, Race, and Marketing Myths
Trey questions whether Sprite is racially targeted toward Black consumers, citing its frequent use of Black athletes in ads. He explores the history of Coca-Cola’s marketing, including Fanta’s Nazi-era distribution, and wonders if Sprite was a strategic move to reach Black audiences.
“How fucking high was Satan when he came up with that shit? It's like, he was really pushing the boat out with that one.”
“That’s why Eskimos don’t do rodeos.”
“I almost dislocated completely my jaw from joy. I was experiencing joy and my face was like, nah.”
Host
Trey Crowder
person
DJ
person
God
other
Satan
other
Sprite
brand
Drew
person
Coca-Cola
brand
HelloFresh
brand
Rocket Money
brand
Jackass 2
media
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