Episode #217 | 5.31.26
The hosts of Tabs Out Cassette Podcast dive into a chaotic, genre-defying episode that turns a simple tape review into a sprawling exploration of underground music, obscure labels, and the absurdity of creative ownership. What begins as a casual conversation about a ferric oxide shortage spirals into a deep dive on experimental artists like Graham Dunning and Dial Alaska, culminating in a revelation: every tape they play shares a hidden theme—each is a reissue, bootleg, or rare release from a label that’s either dead, obscure, or reinventing itself. The episode’s true revelation comes when they realize that the entire block of tapes—Mortise, Imaginary Softwoods, Funeral Moon, Zathra, and Corvid One Cassette—were all released by labels that either reissue forgotten music, operate on limited runs, or are tied to underground collectives. The hosts, especially Jamie, revel in the mystery of these 'forgotten' tapes, with one tape even requiring triple permission from Tolkien Enterprises and Metal Blade. The episode ends not with closure, but with a celebration of the unknown—because, as they conclude, 'the mysteries are what keep life going.' The episode is less about music than it is about the ritual of discovery: the thrill of a shrink-wrapped tape with no label, the joy of a doodled cassette shell, and the absurdity of a label named 'Black Pylon' that might be a project or a label, or both.
Every tape played in the block was a reissue, bootleg, or limited-run release from an obscure or underground label.
Mortise’s 'Awakened Forgotten Songs' was a 1997 demo tape reissued by Out of Season, bridging Era 1 and later work.
The label Black Pylon, tied to London’s Third Kind Records, released a tape with a tactile embossed label and no clear identity.
One tape required triple permission: from Metal Blade, Tolkien Enterprises, and the original artist—making it a 'triple permission tape'.
The hosts discovered that all tapes shared a hidden theme: they were either reissues, rare, or tied to collectives with no clear branding.
…and 3 more takeaways available in PodZeus
The Shoe, the Tape, and the Chaos
“I lost my shoe Terrible! That's terrible! Fucking horse shit! Tabs out, cassette podcast”
Ferric Oxide Shortage and the Art of the Reverb
The hosts riff on the ferric oxide shortage, with Jamie delivering a dramatic newsreel-style monologue about the crisis, while Mike mocks the Nakamichi tape deck and the group debates tape types.
The Mission Statement Debacle
The hosts attempt to create a mission statement, but the conversation devolves into absurdity—Mike calls himself 'a Paisan,' Joe compares himself to water, and Jamie is mocked for his love of structure.
The First Block: Dial Alaska and the Puzzle Begins
Jamie plays the first tape—Dial Alaska from Earth Libraries—sparking a hunt for a hidden theme. The hosts speculate on connections between Alaska, Birmingham, London, and the label’s cyan aesthetic.
Graham Dunning and the Mechanical Technosystem
Jamie introduces Graham Dunning, a London-based artist who composes music entirely through a hand-built network of modified turntables. The hosts are fascinated by the mechanical, chance-based process.
“And it's like those mysteries in life that kind of... That's what keeps life going for me. The mysteries.”
“I lost my shoe Terrible! That's terrible! Fucking horse shit! Tabs out, cassette podcast episode...”
“They must have been like... Knee deep in paperwork. Knee deep in paperwork.”
Hosts
Jamie
person
Mike
person
Joe
person
Mortise
other
Imaginary Softwoods
other
Dial Alaska
other
Funeral Moon Records
other
Graham Dunning
other
Earth Libraries
other
Project Zathra
other
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