S16: On-Screen Live: Reviews of Disclosure Day, Masters of the Universe (2026), Spider-Noir & more!
The hosts of *We Hate Movies* dive into a chaotic, high-energy review of the latest cinematic releases, starting with Steven Spielberg’s *Disclosure Day*, which they describe as a visually dazzling but narratively uneven popcorn thriller. They praise Spielberg’s return to form and the emotional resonance of the film, especially Emily Blunt’s standout performance, but criticize the ending for feeling convenient and the political allegory as naive in a post-COVID world. They contrast this with the box office collapse of *Masters of the Universe*, calling it a confused hybrid of comedy and action that fails to commit to either tone. The real surprise, however, is *Obsession*, a low-budget indie that defied expectations with a 25% drop in its fifth week and a $286 million global haul—proof, they argue, that audiences crave originality over franchise fatigue. The episode also celebrates *Spider-Noir*, a Nick Cage-led noir series on Amazon that’s a loving, if overly long, tribute to 1940s detective films, with the hosts particularly praising Cage’s performance and the show’s black-and-white aesthetic. The conversation ends with a hype-filled announcement for their upcoming *Star Trek* live shows in Las Vegas, where they’ll be discussing *Wrath of Khan*, *Generations*, and *First Contact*—a celebration of fandom, nostalgia, and the joy of being back in theaters.
Spielberg’s *Disclosure Day* is a visually masterful, emotionally resonant popcorn movie with strong performances, but its ending feels narratively convenient and overly optimistic for today’s cynical world.
The box office success of *Obsession*—$286 million globally in five weeks—proves audiences are hungry for original, character-driven stories, not just franchise reboots.
Masters of the Universe fails as a hybrid of comedy and action, splitting its tone so unevenly that it leaves viewers unsatisfied with both genres.
Nick Cage’s *Spider-Noir* is a loving, stylistic homage to 1940s noir films, with Cage delivering a career-best performance in a role that perfectly suits his gravitas and quirks.
The black-and-white version of *Spider-Noir* is the superior viewing experience—color is a business decision, not an artistic one, and the hosts argue it ruins the film’s noir authenticity.
…and 3 more takeaways available in PodZeus
Welcome to On-Screen Live: Chaos, Knicks, and Concessions
The hosts kick off the live episode with technical glitches, drunken energy, and a vivid description of the chaotic, euphoric atmosphere at Regal Union Square during the Knicks' victory, setting the tone for a raw, unfiltered review session.
The Knicks Vibe vs. Movie Theater Experience
The hosts reflect on how the Knicks' win created a surreal, almost New Year’s Day energy in NYC, making the moviegoing experience feel like a celebration—despite the terrible concessions and endless lines at Regal Union Square.
Masters of the Universe: A Franchise Disaster
The hosts dissect *Masters of the Universe*, calling it a tonally confused mess that tries to be both a comedy and an action film, with Jared Leto’s Skeletor performance being the only highlight in an otherwise disappointing movie.
Scary Movies: The Box Office Collapse
The hosts analyze the catastrophic 73% drop in *Scary Movies*’ second weekend, calling it a film that failed to deliver on its promise of offensive comedy and ultimately alienated audiences with half-hearted satire.
Obsession: The Indie Breakout That Defied the Odds
“It's not a rewatcher. I mean, the first one was because it was so new and it felt new, but like this is not one. I mean, I've seen half of this movie and it's horrendous. And I just, I can't imagine even if you're, if this is for you and this is the kind of humor you're after, I can't imagine going back to this and getting much from it.”
“Hungover, hungover, hungover. Possibly broke, possibly broke, possibly broke. We'll see what happens. The four of us unleashed on Las Vegas is going to really be something we want to see you there.”
“It's not a rewatcher. I mean, the first one was because it was so new and it felt new, but like this is not one. I mean, I've seen half of this movie and it's horrendous. And I just, I can't imagine even if you're, if this is for you and this is the kind of humor you're after, I can't imagine going back to this and getting much from it.”
“too long for sure eric i'm just glad we're not in the boys territory like 66 minuters that for me is way too much it's like yeah i agree 47 and back like i'm kind of i'm kind of now like just clamoring for that at all times because everything's so super long but yeah it looks like spider noir's shot in los angeles a lot of the warner brothers backlot which is cool i mean that's what you want for this yeah that makes sense yeah um”
Hosts
chris cabin
person
steven spielberg
person
andrew jupin
person
disclosure day
media
spider-noir
other
eric siska
person
star trek
media
steven sadak
person
masters of the universe
media
nick cage
person
S16 Ep868: War of the Worlds (2005)
1h 52m • 6/9/2026
S16 Ep866: Masters of the Universe (1987) REDUX
2h 11m • 6/2/2026
‘2001: A Space Odyssey’ With Bill Simmons, Steven Spielberg, and Sean Fennessey
2h 20m • 6/1/2026
We’re So Back for Good: ‘Backrooms’ and ‘Obsession’ Mania and 10 Movies We Missed!
1h 58m • 6/2/2026
#486: Masters of the Universe
46m • 6/5/2026
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