CZM Book Club: The End, Like Sand, by Margaret Killjoy
The apocalypse didn't arrive with a bang, but as a slow, uneven collapse—like grains of sand through an hourglass. In this raw, genre-blurring narrative, Margaret Killjoy recounts her own transformation from a disoriented urban dweller to a member of the Muppet Babies, a self-declared mutual aid society formed in resistance to the disintegration of society. What begins as a personal story of eviction and survival becomes a meditation on how communities rebuild not through grand ideology, but through absurdity, play, and radical inclusion. The Muppet Babies—armed with AR-15s, pastel flags, and a constitution called the 'Accord'—refuse to become a cult or warlord gang, despite their name and their war against cannibal Nazis from the suburbs. Instead, they operate on democratic principles, prioritize care over hierarchy, and believe that the future is built not by the strongest, but by those who choose to love and respect each other. The story is a fictional blueprint for collective survival, written not as a manual, but as a provocation: what if the tools for a better world aren’t in policy or technology, but in the willingness to name your group something ridiculous so you never take yourselves too seriously? Killjoy’s narrative is layered with meta-commentary: she admits she couldn’t write a conventional nonfiction essay on how to rebuild society, so she wrote a story instead. The piece is didactic, yes—but transparently so.
The apocalypse is not a single event, but a slow, uneven collapse that hits different communities at different times—measured not by disaster, but by eviction, job loss, and the erosion of trust in institutions.
The Muppet Babies were formed not as a militia, but as a mutual aid society with an immutable 'Accord' that guarantees democratic participation, inclusion, and non-exclusion based on identity or ability.
To prevent authoritarianism, the group refuses to use acronyms, buzzwords, or hierarchical titles—choosing absurdity (like 'Muppet Babies') to signal they’re not taking themselves too seriously.
When work feels insurmountable, treat it like play: Sasha’s dollhouse village and the narrative form of the story itself are acts of resistance against burnout and despair.
The group’s core strategy is not just defense, but building bridges—cooperating with other democratic groups, even while fighting cannibal Nazis from the suburbs who believe in a 'harsh truth' of survival of the fittest.
…and 3 more takeaways available in PodZeus
The Podcast That Isn’t a Podcast
The episode opens with a series of iHeartRadio ad reads, including 'Hey Jonas' by the Jonas Brothers, 'Humor Me with Robert Smigel', 'Therapy Gecko', and 'Kingdom of Fraud', creating a surreal, fragmented audio landscape that mirrors the collapse of shared cultural infrastructure.
Why I Wrote a Story Instead of an Essay
“I've been struggling to write down some of my ideas about current events and preparedness through nonfiction. Because nonfiction has never been how I get my grand ideas about what we can do as people and how we can improve the world.”
The Apocalypse as Sand in an Hourglass
“The apocalypse looks more like grains of sand dropping through an hourglass. Word, the grains of sand in case my metaphor was too subtle.”
The Muppet Babies Arrive
“They weren't dumb. They'd shown up ready to push other people like sand down through the hourglass. But they weren't ready to deal with a couple dozen queers and anarchists and pirates who'd named themselves after an ancient children's cartoon and armed themselves with rifles.”
The Accords and the Absurd
“They'd wanted to call it the Rust Belt Mutual Aid and Solidarity Society... But Vivian and Hatchet and Oak and the rest of the founders were insistent that there shouldn't be buzzwords and there shouldn't be acronyms. And instead, they should pick something so ridiculous that no one would ever accuse them of taking themselves too seriously.”
“The apocalypse looks more like grains of sand dropping through an hourglass. Word, the grains of sand in case my metaphor was too subtle.”
“All it takes to defeat evil in this world are love, respect, and plenty of 5 .56 by 45 millimeter ammunition.”
“I don't like to call them the survivors. Because they aren't going to survive. Not if we have anything to say on the matter.”
Host
Muppet Babies
organization
Margaret Killjoy
person
Sasha
person
Cannibal Nazis from the Suburbs
organization
Jonas Brothers
person
Therapy Gecko
organization
Robert Smigel
person
Macnovia
other
Michelle McPhee
person
Cool Zone Media
organization
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