The Love Of My Life Was My Best Friend. Then She Died At 34.
Grace Ruvray's memoir, *Is It Too Early to Bitch?*, is a raw, luminous testament to the kind of friendship that reshapes your identity—intimate, unconditional, and life-defining. At its heart is her bond with Katie Lees, a best friend she met at drama school in 2009, whose sudden death at 34 from a rare AstraZeneca vaccine-related blood clot turned grief into a political minefield. Grace recounts their journey from a shared 'is it too early to bitch?' moment to a decade of shared adventures, creative collaborations, and emotional intimacy—so deep that they called each other 'wife.' But when Katie died after a four-day hospitalization, Grace became the chief messenger of devastating news, navigating a world where her grief was both invisible and weaponized. The book becomes a meditation on how loss rewrites your sense of self: without Katie, Grace feels she’s lost a mirror, a compass, and a co-conspirator in life. Yet through writing, she finds a way to keep her alive—not in memory, but in action. The Katie Lees Foundation now funds emerging women and gender-diverse artists under 34, ensuring Katie’s legacy lives on in creativity. Ultimately, Grace’s message is urgent and tender: in a world that grows busier and colder, call your friend. Not for advice, not for updates—just to say, 'Hey, what are you doing?' The most meaningful moments are the ones that mean nothing at all.
Call your best friend for a 'nothing call'—just to talk about absolutely nothing, because those small, meaningless moments become the most meaningful of your life.
Grief is not a linear process; it’s a lifelong companion that reshapes your identity, especially when you lose someone who was your mirror, your co-conspirator, and your emotional anchor.
You don’t need to be family to be family—best friends can become your chosen kin, and their absence leaves a void that no one else can fill.
When someone dies, their story doesn’t end—it gets co-opted. Grace’s grief was politicized after Katie’s death from a rare vaccine side effect, showing how personal loss can be weaponized in public discourse.
The Katie Lees Foundation now funds new Australian works by women and gender-diverse artists under 34, proving that love can outlive death through legacy and creative action.
…and 3 more takeaways available in PodZeus
The First 'Is It Too Early to Bitch?'
“And she did that thing that every single woman will understand this where Katie turned to me and said, is it too early to bitch?”
The Friendship That Became Family
“We took so much joy in the fact that people were obsessed with us and our duo.”
The Sudden Collapse of a World
“The next call could be bad news.”
Grief as a Political Football
“She would just hate that so much that that was shared.”
The Grief Club: Where You’re Not Alone
“The Non-Grief Club Civilians Panic. unsure of what they're meant to do because the answer is nothing.”
“It always makes me cry when I say it, but it's just like I just want people to go to dinner. I want people to go to dinner with their friends or call their friends.”
“You write, The Non -Grief Club Civilians Panic. unsure of what they're meant to do because the answer is nothing.”
“And she did that thing that every single woman will understand this where Katie turned to me and said, is it too early to bitch?”
Host
Guest
Katie Lees
person
Grace Ruvray
person
Holly Wainwright
person
Mamma Mia
organization
AstraZeneca
product
Katie Lees Foundation
organization
Josh
person
Nora
person
Constance Hall
person
Annika
person
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