Ep 23 - John Mellencamp VS Bruce Springsteen
The final episode of the first half of *Shitty Song of the Week* descends into chaos as hosts Red and Jody B. confront their most dreaded battle yet: a head-to-head showdown between John Mellencamp’s 'R-O-C-K in the USA' and Bruce Springsteen’s 'Crush on You.' What begins as a lighthearted roast quickly spirals into a full-blown cultural critique, with the hosts unleashing blistering attacks on both songs—and the artists behind them. Red, who’s dominated the qualifier with near-unbeatable consistency, is forced to face his own legacy when John Jamingo, the guest, picks not just a legendary rock icon, but a song so obscure and poorly recorded it’s nearly inaudible. The episode becomes a masterclass in musical disdain, with the hosts mocking the lyrics, production, and even the racial undertones of 'Crush on You'—a song that, they argue, sounds like a desperate attempt to mimic Bob Seger with no soul, no range, and a chorus that repeats 'I got a crush on you' like a broken record. Meanwhile, 'R-O-C-K in the USA' is torn apart for being a soulless, over-polished pop anthem that doesn’t belong on an album about rural American decline. The real punchline? The entire episode is a meta-commentary on the show’s own absurdity—where the only way to win is to bring a song so bad it makes the host question their life choices.
Bruce Springsteen’s 'Crush on You' is so poorly recorded it’s nearly inaudible on most platforms, with volume levels so low it requires cranking the audio to hear anything.
The song 'R-O-C-K in the USA' is a soulless, over-polished pop anthem that doesn’t fit the thematic tone of John Mellencamp’s *Scarecrow* album, which critiques rural America’s decline.
Both songs are criticized for being generic, repetitive, and lacking artistic depth—'Crush on You' for its flat vocals and one-note chorus, 'R-O-C-K in the USA' for its lazy anagram gimmick and lack of authenticity.
The hosts argue that Bruce Springsteen’s attempt to emulate Bob Seger fails because he lacks the vocal range and emotional power of the original.
The episode reveals the show’s own self-aware absurdity: the only way to win is to bring a song so bad it makes the host question their sanity.
…and 3 more takeaways available in PodZeus
Welcome to the Final First-Half Episode
The hosts open the episode with their signature chaotic energy, setting the tone for the final qualifier of the first half of the year. They tease the stakes, introduce the guest, and hint at the absurdity to come.
The Guest’s Impossible Pick: Bruce Springsteen
“I texted to Red. I go, it's Bruce Springsteen. And he goes, fuck! I don't want to do any more Bruce Springsteen. Nobody does.”
The Wild Card Gambit: Gene Simmons’ 2004 Album
Red counters with Gene Simmons’ self-titled 2004 album, a chaotic mix of thrash metal and spoken word. The hosts describe it as a '10 on the dog shit scale' and a perfect foil to Springsteen.
John Mellencamp’s 'R-O-C-K in the USA' – The Soulless Anthem
“This is just a remember when type gimmick. And sometimes there's nothing wrong with that, but this sounds more like un-rock and roll to me than it does rock and roll.”
Bruce Springsteen’s 'Crush on You' – A Disaster in the Making
“It's like as soon as he's listening, he's like... Rob Seeger would tear this song up, dude. Yeah, this doesn't even sound like Bruce Springsteen.”
“Every song this first half is like mine except for just a handful. And it kind of pisses me off a little bit because it's not a game anymore. It's just which one of Red's songs is the worst.”
“And I texted to Red. I go, it's Bruce Springsteen. And he goes, fuck! I don't want to do any more Bruce Springsteen. Nobody does.”
“It's like as soon as he's listening, he's like... Rob Seeger would tear this song up, dude. Yeah, this doesn't even sound like Bruce Springsteen.”
Hosts
Guest
Bruce Springsteen
person
John Mellencamp
person
Red
person
Jody B.
person
John Jamingo
person
Gene Simmons
person
Kiss
other
Eddie Money
person
Bob Seger
person
John Cafferty and the Beaver Brown Band
other
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