A Gen Z Revolution at the Movies
Two low-budget horror films made by Gen Z creators have triggered a cultural and box office earthquake, proving that young audiences aren’t abandoning movie theaters—they’re just waiting for something that feels like theirs. 'Obsession,' a $750,000 indie thriller about a man whose wish for romantic obsession spirals into terror, and 'Backrooms,' a $10 million A24 release born from a viral YouTube creepypasta, have both defied expectations by grossing hundreds of millions and becoming shared cultural events. What’s revolutionary isn’t just their success, but how they were made: by 20-somethings who learned filmmaking on YouTube, not film school, and who speak the visual language of video games and internet culture. These films aren’t just watched—they’re dissected, meme-ified, and rewatched, with audiences treating them like living lore. The result? A generation that’s not interested in legacy franchises like Star Wars or He-Man, but deeply invested in stories made by their peers, for their peers. Hollywood’s old playbook—relying on hand-me-down IP—is failing. The new blueprint? Let young creators lead, trust their instincts, and let audiences feel like they’re part of something real. The implications go beyond box office numbers. These films reveal that Gen Z doesn’t reject cinema—they reject inauthenticity. They want stories that reflect their anxieties around consent, identity, and digital alienation, and they crave the communal thrill of shared experience.
Gen Z is not abandoning movie theaters—they’re demanding stories made by their peers, not legacy franchises.
Films like 'Obsession' and 'Backrooms' succeeded not because of big budgets, but because they were made by young creators who speak their audience’s visual and emotional language.
The communal experience of watching these films in theaters—combined with online discourse—creates a feedback loop that drives repeat viewings and virality.
YouTube and internet culture are now the primary film schools for a new generation of directors, replacing traditional institutions.
Gen Z audiences are deeply engaged in 'corn plating'—analyzing every frame, symbol, and detail—turning movies into living, evolving cultural artifacts.
…and 3 more takeaways available in PodZeus
The Box Office Revolution
“These films are on track to make hundreds of millions of dollars like to put that into perspective this is all happening at the same time as the first star wars film in seven years”
The Rise of the YouTube Filmmakers
Both films were created by young directors—26-year-old Curry Barker and 20-year-old Kane Parsons—who learned filmmaking through YouTube tutorials and built their audiences online, bypassing traditional Hollywood gatekeepers.
Why Gen Z Is Showing Up
“Young audiences don’t want their parents' franchise hand-me-downs. They want a sense of investment in these movies.”
The Power of 'Corn Plating'
“There are people who are suggesting that maybe our lead character is possessed by the spirit of his dead cat.”
Backrooms: From Meme to Masterpiece
Kane Parsons, a 20-year-old director who started on YouTube, turned a viral creepypasta into a $80 million opening weekend hit, proving that internet-born stories can dominate the big screen.
“And, you know, these films are on track to make... hundreds of millions of dollars like to put that into perspective this is all happening at the same time as the first star wars film in seven years”
“He said that if he could stop generative AI with the snap of his fingers, he would do so.”
“There are people who are suggesting that maybe our lead character is possessed by the spirit of his dead cat.”
Host
Guest
Obsession
media
Backrooms
media
Kyle Buchanan
person
YouTube
other
Kane Parsons
person
Natalie Kittroweth
person
A24
organization
Curry Barker
person
Star Wars
other
Blender
product
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