Top 5 Films of 1987 | Archive
In a nostalgic deep dive, Film Spotting revisits its 2016 archive episode ranking the top five films of 1987—just in time for the release of Travis Knight’s new Masters of the Universe. Host Adam, solo for the night, kicks off with a mix of self-aware humor and genuine affection for the era’s cinematic cheese, confessing his personal nostalgia list includes Three Men and a Baby and Predator—films he now admits are embarrassingly beloved. The real gems emerge in the curated top five: Josh’s number one, Wim Wenders’ poetic, black-and-white masterpiece *Wings of Desire*, a film about angels who listen to human thoughts but can’t intervene, praised for its aching beauty and existential longing. Adam’s number one, *Raising Arizona*, is hailed as a genre-defying comedy that launched the Coen Brothers’ unique voice—madcap, heartfelt, and endlessly quotable. The two also agree on *The Princess Bride* and *House of Games*, with the latter being a David Mamet psychological thriller that Ebert called a magician’s card trick, where the real story is hidden in the dialogue’s stilted rhythm. The episode is a love letter to 1987’s overlooked brilliance, from *Hollywood Shuffle*’s biting satire on racial casting to *Full Metal Jacket*’s brutal boot camp realism. Despite the fun, the real takeaway is how some films—like *Hollywood Shuffle*—remain painfully relevant decades later, proving that progress in Hollywood has been slow.
Raising Arizona is a genre-defying comedy that launched the Coen Brothers’ unique voice and remains one of the funniest films ever made.
House of Games uses stilted, mannered dialogue as a narrative trap—making the audience listen more carefully to uncover the real story beneath the surface.
Hollywood Shuffle is a prescient satire on Hollywood casting that remains painfully relevant nearly 40 years later, exposing systemic racial inequities in film.
Wings of Desire is a poetic, black-and-white meditation on human longing, where angels hear our thoughts but can’t intervene—making it a visual and emotional masterpiece.
Full Metal Jacket’s boot camp sequence is not just brutal—it’s a masterclass in how war dehumanizes, with Gunnery Sergeant Hartman’s tirades teaching soldiers to fear nuance.
…and 3 more takeaways available in PodZeus
The 1987 Archive Drop: A Nostalgic Time Capsule
Adam introduces the episode as a 2016 archive drop, revisiting the top five films of 1987 in honor of the new Masters of the Universe film. He sets the tone with humor, admitting he hasn’t seen the 1987 version and questioning whether it made the cut.
Why 1987? The Legacy of Lethal Weapon and the 80s Cinema Boom
The episode’s impetus is Shane Black’s breakout as a screenwriter with Lethal Weapon. Adam reflects on the cultural impact of 1987’s box office hits, including Fatal Attraction and Beverly Hills Cop 2, and how the era’s '80s cheese' shaped his cinematic memory.
Adam’s Pure Nostalgia List: The Films He Loved at 12
“I remember going to the movie theater in my small little Iowa town and seeing and quite approving of Three Men and a Baby. Really? I mean, come on. Those cads, they're so funny.”
Josh’s List Begins: Babette’s Feast and the Power of Food as Art
“This is really an early foodie movie, I think. The central event is this sumptuous meal that the chef prepares for the villagers, and most of them are reluctant to appreciate it because they fear it'll be sinful or sensual or something like that.”
House of Games: A Mamet Masterpiece That’s Still Unseen
“Mamba's dialogue starts with the plain red bricks of reality and mortars them into walls that are slightly askew. Nobody uses a word you don't know. They like vulgarities and obscenities and cliches, but the dialogue is rotated into a slightly new dimension.”
“Mamba's dialogue starts with the plain red bricks of reality and mortars them into walls that are slightly askew. Nobody uses a word you don't know. They like vulgarities and obscenities and cliches, but the dialogue is rotated into a slightly new dimension.”
“I mean, it's it's sadly it's probably the 1987 movie on my list. That's the most relevant today still. It probably is. And I know that it's not in the top 100 highest grossing movies of that year. So very few people. relatively speaking, saw that film.”
“This is really an early foodie movie, I think. The central event is this sumptuous meal that the chef prepares for the villagers, and most of them are reluctant to appreciate it because they fear it'll be sinful or sensual or something like that.”
Host
Josh
person
Adam
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Raising Arizona
media
The Coen Brothers
person
House of Games
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David Mamet
person
Robert Townsend
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Hollywood Shuffle
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Wim Wenders
person
Full Metal Jacket
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