An Evening with Douglas Stuart (Part One)

Intelligence Squared39mMay 31, 2026
AI-Generated Summary

Douglas Stewart, Booker Prize-winning author of *Shuggie Bain* and *Young Mungo*, returns to the spotlight with his new novel *John of John*, a haunting exploration of identity, belonging, and the unspoken burdens of family and faith on Scotland’s remote Isle of Harris. In this intimate live conversation at Union Chapel, Stewart reveals how the novel emerged from a deeply personal journey—writing on the islands for 12 weeks, surviving a night with a dead ram, and confronting his own absence of generational roots. The story follows Cal, a 22-year-old gay man returning home after art school, only to find himself trapped in a rigid Presbyterian community where love, sexuality, and selfhood are suppressed. What begins as a tale of homecoming unravels into a meditation on how the past shapes the present, and how silence can be a form of love—and of violence. Stewart dissects the novel’s central question—'Who do you belong to?'—as both a literal lineage and a psychological prison, drawing from his own life as a gay man without grandparents, raised in poverty, and shaped by a world that never let him feel at home. The novel’s rich textures—Harris Tweed, Gaelic naming, and the physicality of weaving—become metaphors for identity, tradition, and the tension between individuality and duty. At its heart, *John of John* is not about Cal’s return, but about the people he left behind, and the quiet, enduring love that persists in the margins of silence.

Key Takeaways
1

The central question 'Who do you belong to?' becomes a philosophical and emotional anchor in the novel, reflecting both Gaelic lineage and the psychological burden of identity.

2

Cal’s return to Harris is not a homecoming but a disruption—his presence forces the island’s hidden truths to surface, especially around repressed queerness and unspoken grief.

3

Stewart wrote the novel in situ on the Isle of Harris, where he survived a night with a dead ram and learned the rhythms of crofting, weaving, and isolation.

4

Harris Tweed is not just a motif—it’s a metaphor for tradition, resistance to modernity, and the burden of inherited craft.

5

Weaving symbolizes rigid, communal duty; knitting represents individuality, self-reliance, and the freedom to undo and begin again.

…and 3 more takeaways available in PodZeus

Chapters
0:00
3 min

Welcome to Intelligence Squared: An Evening with Douglas Stewart

Mia Sorrenti introduces the live event at Union Chapel, setting the stage for a conversation with Booker Prize winner Douglas Stewart, author of *Shuggie Bain* and *Young Mungo*, now discussing his new novel *John of John*.

2:30
3 min

Introducing the Novel: A Return to the Isle of Harris

Jack Edwards introduces *John of John*, describing its setting on the Isle of Harris in 1996–1997 and its protagonist, John Callum MacLeod (Cal), a 22-year-old art school graduate returning home after financial and emotional collapse.

5:00
3 min

The Birth of a Novel: From 2019 to the Outer Hebrides

Stewart reveals he began writing *John of John* in 2019, before *Shuggie Bain* was published. He describes his decision to go to the Isle of Harris for 12 weeks to reconnect with his homeland and find his story.

8:20
3 min

A Night with a Dead Ram: The First Page of the Book

Well, so one ram was harmed in the making of this book. One ram was harmed. And it appears in like the second chapter. Like we start with a dead ram because I thought I've got to... And it's, you know, I had to honor it. Yeah, I had to honor it.

Highlight
10:50
3 min

Who Do You Belong To? The Central Question of the Novel

And Cal answers it by saying, I'm John of John of Ian of Ian of Bredavir, which is the old Gaelic word for the weaver. And for him, that question is really crushing, you know, because will he get to be his own person?

Highlight
High-Impact Quotes
Well, so one ram was harmed in the making of this book. One ram was harmed. And it appears in like the second chapter. Like we start with a dead ram because I thought I've got to... And it's, you know, I had to honor it. Yeah, I had to honor it.
Douglas Stewart9:41
And Cal answers it by saying, I'm John of John of Ian of Ian of Bredavir, which is the old Gaelic word for the weaver. And for him, that question is really crushing, you know, because will he get to be his own person?
Douglas Stewart12:09
And I thought some of these older men for some of the generations must have been gay or the women might have been lesbians. And I thought that's the novel.
Douglas Stewart16:14
Speakers

Host

Jack Edwards

Guest

Douglas Stewart
Topics Discussed
queer identity in rural scotland92%family and belonging90%presbyterian faith and masculinity88%harris tweed and textile craft85%returning home after college80%writing process on location78%class and social categorization75%generational silence and emotional repression72%
People & Brands

Douglas Stewart

person

15xPositive

John of John

book

12xPositive

Isle of Harris

place

10xNeutral

Shuggie Bain

book

8xPositive

Young Mungo

book

7xPositive

Harris Tweed

product

6xPositive

Jack Edwards

person

5xNeutral

Union Chapel

other

3xNeutral

Oprah's Book Club

organization

2xPositive

Mia Sorrenti

person

2xNeutral

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