‘Backrooms’ Turns an Online Obsession Into Box-Office Gold
The horror film 'Backrooms'—born from a single 2019 internet image on 4chan—has become a surprise box-office phenomenon, proving that Gen Z isn't just watching movies, it's driving them. What started as a viral creepypasta mythos, shared across Reddit, TikTok, and Roblox, evolved into a $10 million indie film from A24 that grossed over $230 million globally. Its success, mirrored by the similarly internet-born horror film 'Obsession,' marks a seismic shift in Hollywood: for the first time in years, original, low-budget, Gen Z-made content is drawing massive crowds to theaters. This isn't just a fluke—it's a signal that authenticity, digital-native storytelling, and emotional resonance with young audiences can outperform even the most polished franchises. As studios grapple with declining ticket sales and the death of the blockbuster era, 'Backrooms' and 'Obsession' offer a new blueprint: listen to the internet, trust the creators who grew up in it, and build films that feel real, not manufactured. The mood in Hollywood has shifted from despair to cautious optimism—proof that cinema might not be dying, but evolving. The real breakthrough isn't just the money—it's the cultural validation. Gen Z, long dismissed as disengaged from cinema, has shown it’s not apathetic, just underserved. These films succeed because they speak the language of online culture: found footage aesthetics, existential dread, and the uncanny familiarity of liminal spaces.
Gen Z is returning to theaters not for franchises, but for original, internet-born films like 'Backrooms' and 'Obsession' that feel authentic to their lived experience.
Low-budget horror films made by Gen Z creators using found footage and liminal aesthetics are outperforming traditional blockbusters, proving that authenticity beats polish.
The success of 'Backrooms' and 'Obsession' marks a turning point in Hollywood: studios are shifting from franchise fatigue to investing in digital-native talent and online mythology.
These films succeed because they tap into Gen Z’s collective emotional state—feeling lost, exposed, and 'in between'—making them more than horror: they’re cultural artifacts.
Hollywood’s mood has shifted from despair to cautious optimism, with executives now seeing internet culture as a viable, profitable source of original content.
…and 3 more takeaways available in PodZeus
A Teen's Obsession Turns Into a Box-Office Sensation
“He was like, oh, well, you have to understand that in this scene, what this image represents is X. And it's kind of similar to his videos, but it's different in this way.”
From 4chan Photo to Global Phenomenon
The 'Backrooms' mythos began with a single 2019 image on 4chan. It evolved into a sprawling internet culture of creepypasta, TikTok videos, Roblox games, and YouTube content, creating a shared mythology that Gen Z deeply identified with.
Gen Z Filmmaker Meets Hollywood
Kane Parsons, a 16-year-old YouTuber at the time, built a massive online following with his 'Backrooms' videos. His work caught A24’s attention, leading to a $10 million film deal that far exceeded expectations.
The Viral Success of 'Obsession' and the New Horror Formula
While 'Backrooms' was a hit, 'Obsession'—a $750,000 film by Gen Z director Curry Barker—surpassed expectations by growing in box office every weekend, defying the typical decline pattern and grossing nearly $250 million.
Why Gen Z Is Finally Going to the Movies
“The whole backrooms mythology is built around this feeling that is very relatable to fans of being like, I'm not there. I'm not here. I'm somewhere in between.”
“Oh, it's hugely important. I mean, I would describe the mood in Hollywood for the past few years as really depressed. You know, people just felt like... They were sort of like the last survivors, you know, in a dying industry in some ways.”
“So I think the whole backrooms mythology is built around this feeling that is very relatable to fans of being like, I'm not there. I'm not here. I'm somewhere in between.”
“The only way I can think of to describe it is the movie has gone viral like an internet video.”
Host
Guests
Backrooms
media
Jessica Mendoza
person
Obsession
media
Kane Parsons
person
Ben Fritz
person
A24
organization
Curry Barker
person
TikTok
product
4chan
product
product
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